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Editorial The Art of Spellcasting

VentilatorOfDoom

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Vault Dweller and Gareth Fouche <a href="http://www.irontowerstudio.com/forum/index.php/topic,1431.0.html">put up their thoughts on spellcasting</a> in CRPGs.
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<p style="margin-left:50px;border-style:solid;border-width:1px;border-top-color:#ffffff;padding:5px;border-right-color:#bbbbbb;border-left-color:#ffffff;border-bottom-color:#bbbbbb;">We can see from these examples that the computer has great potential for immersing the player in spellcasting beyond simple casting bars and mana pools. Interesting interfaces and systems which encourage the player to experiment with magical forces, rather than simply buying spells from a list, result in players becoming more invested in the process of spellcasting and help to truly differentiate the mage player from the fighter or stealthy player. These exploratory systems, combined with an interesting 'mage path' through the game, a path that sees the player negotiating with spirits, learning dangerous and forgotten secrets and interacting with the environment and other characters in unique and interesting ways, have the potential to create a truly memorable mage experience.
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They mentioned some good examples.
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Spotted at: <A HREF="http://www.irontowerstudio.com/forum/index.php/topic,1431.0.html">ITS</A>
 

Malakal

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MEH, the best thing about spellcasting is having UNIQUE and USEFUL spells, many of those not directly damaging.

Red damage ray, blue damage ray and white damage ray do not work for me as well as glyph of warding or time stop or stoneskin. The exact manner in which the mage casts those spells is secondary. Yes, it can be cool and imaginative, but when you can choose from 30 spells it is just wasted. Bring back my 300 bg spells! (yes not all were unique but still offered huge versatility)
 

Vaarna_Aarne

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Personally, I'd say Morrowind's greatest asset was its spellcasting system. Or more precisely, the spellmaking system. It adds a whole new flair to a mage when you can create your own spells, though it is true that this does limit the possible effects of spells.

Another thing to consider is the setting. Or, "why Fireball shouldn't be a standard spell." One of the particular things that I like about CthulhuTech is that there isn't a single direct damage spell. The closest thing to an immediate offensive spell are orbs a mage can craft. Another thing is that magic is very much composed of rituals, meaning that a mage players could indeed spend hours or days on their spells.
 

KalosKagathos

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vlcsnap2010031515h32m02.png


Trannies and gentlemen, meet Dr. Facilier, a magician done right:

1. Clearly defined source of power and conditions on which said power was given.
2. Clearly defined rules by which said power operates.
3. Only one ability (shadow manipulation) that can be used in a variety of different ways, instead of a disjointed set of spells that have nothing in common. No shooting lightning out of his ass just because he's a mage.
 
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Gameworld altering spells would be heavan. After playing Red Faction Guerrila and Fracture, I was thinking that nothing would make playing a mage more satisfying than blasting your way through a mountain instead of walking around it. Or making holes on the ground to trap some creature. Or taking a tree down with a gust of wind. Or drowning enemies in actual water instead of "casts Drown -> Goblin fails save against death".

Vaarna Arne said:
Personally, I'd say Morrowind's greatest asset was its spellcasting system. Or more precisely, the spellmaking system. It adds a whole new flair to a mage when you can create your own spells, though it is true that this does limit the possible effects of spells.

Just have unique, fixed spells along the ones the player can make. A novice mage would stick to the formulas that work, eventually using more of his own spells when he gets powerful enough. He'd still have to use the unique ones because he's not been refining them through the years (which would be a reasonable explanation for why he has limited options when creating them).
 

lightbane

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An alternative would be allowing the mage to do more or less what he wants... BUT, with the danger that at any moment his eldritch energies could go wrong and suffer an horrible fate, like the Psyker's rules for the tabletop Dark Heresy. I'll explain:
You can "cast" some powers by rolling one or more 1d10 dices, hoping to meet a certain number the power demands to be activated, but every time you roll a 9 you must record it and roll in the Psychic Phenomena table (that are "side-effects", some harmless like all nearby food and water being spoiler to temporally reversing gravity to your power exploding on your face for full damage or even daemonic possesion), and thus as more dices you roll the more chances there are of screwing up everything. That could work perfectly on a "harsh" crpg.
 

Hamster

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Magic feeling mundane and boring is indeed the worst thing that can happen to a magic system. But i disagree on the causes of that, for me the main reasons are lack of interesting spells (like Malakal said) and mages turning into a kind of archers that shoot sparkly shit every 10 seconds or some kind of fantasy rocket launchers. Needless to say, i don't like mana and cool-down based systems very much. I prefer D&D's system, even with its flaws.
 

deuxhero

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D&D splat, despite how much further it breaks the game, provides quite a lot of unique "utility" spells that work well with creative players (temporarily turn the ground into cursed sand that rapidly drains peoples energy, then makes the remains a permanent example of such sand if it kills them, then stuff the now permanent black sand remains into the flesh of your undead minions to give them a regeneration effect>>>Magic Missile).


As for the casting method, MegaTen has a decent method (Most games make magic a demon only thing, and getting a demon with a good variety of spells requires fusing multiple demons in 1) though the spells are standard damage/heal/buff/debuff stuff.
 

GarfunkeL

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As VD himself pointed out in the article, the biggest weakness of DnD magic actually comes from the fucking padded combat that all crpg's are filled with. Take away the hack-slash combat encounters and add puzzles, meaningful (scripted if nothing else) big battles and various ways to complete quests and vóila, you have a good RPG.

Instead we get the "save our diplomat from the orcs" quest, which is a too-long tunnel filled with too easy orcs. And few meaningless traps. Woo-hoo. :(
 
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I like the AD&D magic system. Too bad they never implement the cool stuff like components, spellbooks, writing spells for hours to learn them, components for magical items, etc.
 

Zeus

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Vaarna_Aarne said:
Personally, I'd say Morrowind's greatest asset was its spellcasting system. Or more precisely, the spellmaking system. It adds a whole new flair to a mage when you can create your own spells, though it is true that this does limit the possible effects of spells.

I used to exploit the spellmaker in Arena. I found out that if you dialed Distance way down, you could ramp up Damage to insane amounts, while still paying very little for the spell.

I made a spell called One Inch Punch, which could kill an enemy in one hit, provided I got within snuggling distance. :D
 

Vaarna_Aarne

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KalosKagathos said:
vlcsnap2010031515h32m02.png


Trannies and gentlemen, meet Dr. Facilier, a magician done right:

1. Clearly defined source of power and conditions on which said power was given.
2. Clearly defined rules by which said power operates.
3. Only one ability (shadow manipulation) that can be used in a variety of different ways, instead of a disjointed set of spells that have nothing in common. No shooting lightning out of his ass just because he's a mage.
+1

Though I would add that subtle rituals, like peering to a different plane with the aid of a circle of mages, do work in all contexts. But even then, that's because it's a magic ritual that isn't exactly a demonstration of the mage's power, but his knowledge and resources.

Kept the pic because such nice animation art deserves to be seen twice.

EDIT: I seem to recall that in one of his magic-themed comics, Moore said that magic was all about working within a set of rules, and in another that sorcerers are nothing but vessels.

EDIT2: People also need to stop using Mage, Wizard, etc, everywhere. It has a bad habit of sticking. Magician is indeed the best word, and the most proper.
 

Malakal

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No it isn't. Word magician wasnt used anywhere.

In medieval times we used witch and sorcerer, also alchemist. Later we got astrologers and other prophets. Tolkien has wizards, U. K. LeGuin has Mages. Magician is relatively new.
 

Vault Dweller

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Yep. Wizards, mages, magi, magicians are very old words. Merlin, for example, was a wizard:

wizard
c.1440, "philosopher, sage," from M.E. wys "wise" (see wise (adj.)) + -ard. Cf. Lith. zynyste "magic," zynys "sorcerer," zyne "witch," all from zinoti "to know." The ground sense is perhaps "to know the future." The meaning "one with magical power" did not emerge distinctly until c.1550

magician
late 14c., from Fr. magicien, from L. magica

mage
c.1400, Anglicized form of magus. An archaic word revived by fantasy games.
 

sqeecoo

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Don't have anything to add, just wondering there that great pic is from.
 

MisterStone

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I'd like to see a game where magic is divided into at least two or three skills, which combine to create multiple forms of spellcasting...

For instance:

1) A skill that determines the source of power: does the magic user cultivate it inside his own body, channel it from "the force", receive it from a god, create it with spell components or from objects, etc?

2) Focus: does the user control the magical power through sheer concentration (psychic!), incantations and hand gestures (wizard), singing (bard!), some other process... Some types of focus would be good for a short but powerful blast (for instance, DnD magic users maybe), while others would be good for less power at once, but sustained longer over time (again the mentalist type, who could for instance wield a weapon with his TK mind power for as long as he is able to stay awake and focused, or a bard for as long as he can make music), and so on.

3) Articulation: skills that determine whether the desired outcome of the magic happens or not. This one is tough for me to formulate because I don't know exactly how to separate it from #2, or if it should be. For instance, the skill that determines how skillfully a mentalist can hypnotize people or use their TK mental appendage; the skill that determines if a wizard type can get all of his incantations right and not have his summoned demon rip his head off, etc.

Mix these different things together like this and you get different kinds of magic! Also, on top of all of this, "lore" skills that are used similar to the way that "science" is used in fallout, in skill checks related to dialogues or quest goals.

Are there any PnP games that have a classless magic system which works like this?
 

laclongquan

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The most suspension of disbelief thing about magic is its lack of effect on environment, society and people. And its lack of explaination to that lack of effect.

If it's easy to use, why didnt people apply it more in life, combat, and generalities.

If it's hard to use, it's not kewl and epic and shit.
 

JarlFrank

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I'd love a game where magic is hard to learn and playing a wizard makes you incredibly powerful but common society has many prejudices against you.

Also, Magocracies. It's retarded that in most settings magic is über-powerful, but most empires are ruled by normal non-magical kings and queens and there are no ruling wizards and witches. Why? If magic is so powerful, at least some magic-users should be the rulers of a country. Heck, if I was a powerful 100-year-old wizard who can destroy armies by waving my hands and muttering incantations, the first thing I'd do would be a coup d'etat.
 

Gragt

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But what about enslaving nations with necromancy?
 

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