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Interview Chris Avellone talks about Project Eternity and Torment at PC Gamer

Infinitron

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Codex Year of the Donut Serpent in the Staglands Dead State Divinity: Original Sin Project: Eternity Torment: Tides of Numenera Wasteland 2 Shadorwun: Hong Kong Divinity: Original Sin 2 A Beautifully Desolate Campaign Pillars of Eternity 2: Deadfire Pathfinder: Kingmaker Pathfinder: Wrath I'm very into cock and ball torture I helped put crap in Monomyth
Tags: Chris Avellone; Obsidian Entertainment; Project Eternity; Torment: Tides of Numenera

Chris Avellone gave a nice big interview to PC Gamer at GDC today. The first part of the interview is kind of an extended Project Eternity progress report with some additional information about the setting, while in the second part Chris talks a bit about his expected role on Torment: Tides of Numenera, among other things. Have a snippet:

Alright, now that that’s out of the way, let’s just start with, how’s the development of Project Eternity going? Where are you guys on that?

It’s going pretty good. We are still in pre-production for the project. And that means, like, we’re figuring out all the level design pipelines, the narrative pipelines. What we want to make sure is we do our due diligence before we hit the production phase, and we understand how all the pieces go from start to finish. Because you want to do that before you add a bunch of designers onto the project. If you don’t have those pipelines figured out first, it just causes a lot of problems with iteration for everybody.​

So, along those lines, we did an update yesterday that sort of gave the run-down of where our first prototype is. And that’s sort of proving out all our [highest] priority systems, in terms of, “Hey, here’s how combat feels. Here’s how navigation feels in the environment. Here’s how you control the entire party.” Basic door movement, dungeon exploration. And then we’re actually planning to do a second prototype later on that sort of does the [lower] priority elements. For things like, when we want to do new conversational aspects, a little bit more about the crafting and merchant systems. But we wanted to make sure to get the solid, core gameplay down first, so that it felt right. Everyone at the studio had a chance to play it, give feedback on it, then move on from there.​

In terms of the storyline stuff, we’re still working on the lore. We’re doing a variety of sort of one-pagers, and multiple takes of the storyline and world from just about every designer that’s working on the game. And what we do is, we’ve been reviewing each of those pitches that each individual designer has done, and say, “Hey, you know, there’s some particular strength to this, individual storyline. We like the characters here, the protagonist here, the antagonist here. Why don’t we see how we can blend these elements together and make a stronger storyline overall.” Having multiple designers do their take on the story has actually been pretty cool.​

Speaking of the story, how does the process work when you’ve got so much writing to fill in all the little cracks of this big, open world?

Eternity has been different from our other projects. With our other projects, we haven’t had quite the luxury to have this sort of process. So generally, on our previous projects, a project director would sort of set up the overall vision for the game. In terms of, here’s the overall mechanics I’m looking for. Here’s the overall feel that I want the player to have. And then what we call a creative lead kind of holds the torch for the storyline. What he’ll do is do a few takes on the storyline, let everyone in the studio offer feedback on that particular storyline, and then we iterate on that until we feel solid about it.​

And then we divide that story up into chunks amongst the designers. “Hey, you develop this area and these characters. You develop this companion, you develop that companion.” On Eternity, it’s been a little different because Josh Sawyer set up the vision, the feel he’s looking for, and then every designer had a chance to sort of do their own take on what the storyline was like, and we picked and chose from there. Even Josh did a take on the storyline, as well. So it’s been a lot different, and we’re really enjoying the process.​

Let’s talk Numenera really quick. If you are brought on to the project [with the $3.5 million stretch goal], what would your role be?

It’s two-fold. One part is, I will be reviewing all of the design documentation that the project develops. Kevin Saunders is the project lead, Colin McComb is the lead designer. And what I would do is review all of their documentation, offer feedback, give whatever critiques, if there are any, both positive and negative. And then I’ll just reinforce, you know, “Hey, here are some of the goals we were going for in the original [Planescape] Torment, here are some positive things you guys are doing that I think are hitting the mark, and here are some other things that you might want to consider incorporating.”​

The other thing that I would be doing, is that I should have a chance to write the eighth companion for the game. And that would be a lot like what I did for previous Obsidian titles, and Black Isle, in the sense that… when we did Mask of the Betrayer at Obsidian, I wrote Gann and Kaelyn the Dove. And I think Kevin and George really liked what I did with those two characters. So I would be doing one additional character, much like that, for Numenera.​

How early were you talking with the guys at inXile about doing a new Torment game? I know a lot of people in the community were asking after those first few blog posts from Brian Fargo about bringing the name back, like, “Where’s Chris Avellone?”

The time frame was… not long after Brian realized that he could get the name, and he actually purchased the name for Torment, then he talked to me about it, and whether or not I would be interested in working on the project. But at the time, between Wasteland 2 and Eternity, there wasn’t any time for me to do that. And occasionally, Brian would follow up with me and see what my situation was, and if things might work out.​

Then Wasteland 2 finished up, and my time freed up a great deal more. Then Brian and Kevin started talking to me and Feargus [Urquhart, Obsidian CEO], not necessarily about my time, but just about ways we could work together. And I think that between Kevin and Brian, they were able to break out a reasonable schedule for me to work on the project with Feargus. And Feargus was pretty comfortable with that. So he was like, “Hey, if you really do want to work on this..” And I did! But that didn’t happen until a few days before the stretch goal announcement. Before that, I thought there would be no chance I’d be able to do it.​

PC Gamer will also have an interview with Brian Fargo next week, so stay tuned.
 

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Codex Year of the Donut Serpent in the Staglands Dead State Divinity: Original Sin Project: Eternity Torment: Tides of Numenera Wasteland 2 Shadorwun: Hong Kong Divinity: Original Sin 2 A Beautifully Desolate Campaign Pillars of Eternity 2: Deadfire Pathfinder: Kingmaker Pathfinder: Wrath I'm very into cock and ball torture I helped put crap in Monomyth
Attention haters: Chris Avellone says the Aumaua are NOT equivalent to half-orcs. You wouldn't argue with MCA, would you? :mca:
 

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I think there are two things. One is, I’d like to see more reliance on system mechanics to allow the player to tell their own story. Some of the most entertaining New Vegas experiences we had were from people who found interesting ways to create events in the game itself. They weren’t necessarily narratively scripted. They didn’t necessarily have any dialogue or writing associated with them. It was just stuff they could do to the environment by pushing the systems around and getting entertaining events that way.

Also, I’d like to see much more of a focus on visual storytelling. I think that, sometimes, writers can lose sight of the fact that audio, level design, graffiti, graphics, posters… can all be used to flesh out a location without a single line of dialogue, and still tell a compelling story about what happened, what your goals for the area are, and what the theme of the adventure is. I’d like to see much more attention to that, as opposed to, there are two heads talking to each-other, and you see text on the screen with a menu.
I'm glad he keeps reiterating these kinds of statements. :smug:

And I got so excited to hear the little details. Like, if anyone attempts to quantify the Bloom, it devours and destroys them. And the idea that, whatever you feed it, it opens up new dimensions… when I hear that stuff, I just get really excited.
Enjoy the spoilers everybody! :)
 

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Codex Year of the Donut Serpent in the Staglands Dead State Divinity: Original Sin Project: Eternity Torment: Tides of Numenera Wasteland 2 Shadorwun: Hong Kong Divinity: Original Sin 2 A Beautifully Desolate Campaign Pillars of Eternity 2: Deadfire Pathfinder: Kingmaker Pathfinder: Wrath I'm very into cock and ball torture I helped put crap in Monomyth
That's not a spoiler. It's already been revealed in one of the update videos. George Ziets', I think.
 

Roguey

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That's not a spoiler. It's already been revealed in one of the update videos. George Ziets', I think.
If one is avoiding those videos because of spoilers then they just got spoiled without warning so nyah. It was news to me since I don't care enough to watch 'em.
 

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Codex 2013 Codex 2014 PC RPG Website of the Year, 2015 Serpent in the Staglands Dead State Divinity: Original Sin Project: Eternity Torment: Tides of Numenera Codex USB, 2014 Shadorwun: Hong Kong Divinity: Original Sin 2 Steve gets a Kidney but I don't even get a tag.
How many writers do you have working on Eternity altogether?
In terms of full-time narrative designers, I think there are only two. There’s me and then there’s George Zeits, who’s also doing work on the Torment: Tides of Numenera project.

The best couple imaginable.
 

evdk

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Codex 2012 Serpent in the Staglands Dead State Divinity: Original Sin Project: Eternity Torment: Tides of Numenera Wasteland 2 A Beautifully Desolate Campaign Steve gets a Kidney but I don't even get a tag.
And I got so excited to hear the little details. Like, if anyone attempts to quantify the Bloom, it devours and destroys them. And the idea that, whatever you feed it, it opens up new dimensions… when I hear that stuff, I just get really excited.
Enjoy the spoilers everybody! :)
Kevin is typing up a very polite e-mail as we speak.
 

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Serpent in the Staglands Divinity: Original Sin Project: Eternity Torment: Tides of Numenera Shadorwun: Hong Kong
I’m a cat person
Well it seems even the God-Emperor has a flaw.

The fact that we can do a PC-focused product… we can use the keyboard controls, we can use the mouse. That is very liberating for us as game designers.
:smug:
 

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MCA said:
Well, my favorite race is the Orlans. They’re feline-based, and I don’t think there’s actually an equivalent of them in standard fantasy fare.
Furries confirmed (?).
 

Brocken Jr.

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MCA said:
Well, my favorite race is the Orlans. They’re feline-based, and I don’t think there’s actually an equivalent of them in standard fantasy fare.

khajiit.gif
 

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Codex Year of the Donut Serpent in the Staglands Dead State Divinity: Original Sin Project: Eternity Torment: Tides of Numenera Wasteland 2 Shadorwun: Hong Kong Divinity: Original Sin 2 A Beautifully Desolate Campaign Pillars of Eternity 2: Deadfire Pathfinder: Kingmaker Pathfinder: Wrath I'm very into cock and ball torture I helped put crap in Monomyth
MCA said:
Well, my favorite race is the Orlans. They’re feline-based, and I don’t think there’s actually an equivalent of them in standard fantasy fare.

1360343644639.jpg
 

Roguey

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Those are all big-cat races. Orlans are more like housecats.
 

Zeriel

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Uhhhhh, Shema is rocking the tabby house cat look like it's going out of style.
 

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