damager
Arcane
- Joined
- Jan 19, 2016
- Messages
- 2,663
:
ickey,
Here's your text:
G#DDbDbA#D G#F#A#G EbDDE EbA#DDbDA FF#Db
EbAF#EbA# F#F#DbA#AG# F#DEbD DbD
G#DA#DbG DbA#G#G DF#A#DbDb FG#A#AF# EbB
EDbA#G#DA# ADbG#F# DFA#F#Eb DDbDbF#Eb
::::Good luck, mate!
Allan McLane, Nexus Security::

Here's your text:
G#DDbDbA#D G#F#A#G EbDDE EbA#DDbDA FF#Db
EbAF#EbA# F#F#DbA#AG# F#DEbD DbD
G#DA#DbG DbA#G#G DF#A#DbDb FG#A#AF# EbB
EDbA#G#DA# ADbG#F# DFA#F#Eb DDbDbF#Eb
::::Good luck, mate!
Allan McLane, Nexus Security::
:
usical note - a notation representing the pitch and duration of a musical sound. In Global Music Theory there are many musical temperaments, or tuning systems, but one of the most well-known (if outmoded) is the twelve-tone equal temperament (*12TET*), in which each octave is separated into twelve equally spaced notes, also referred to as semitones or half steps. The scale comprising of all twelve notes is called a *chromatic* scale.::
::Octave (perfect octave) - an interval between eight notes (the total number of notes per octave in ancient systems, also called *natural* notes) where the last note is exactly double the frequency of the first and is notated with the same letter but with a raised octave number (eg. *C1* - *C2*; these notes are said to be *an octave apart*). However, the octave can also mean a diapason (range) of notes, seven *natural* notes and five *accidentals*, or twelve notes in total in *12TET*.
Octaves are commonly represented with numbers, starting with 0 (representing the sub contra octave, although most of the octave is below the non-augmented human hearing range) and increasing by 1 with each successive octave.::
::The natural notes are *C*, *D*, *E*, *F*, *G*, *A*, *B*.
The accidentals are natural notes that have been either *sharpened* (raised by one semitone, represented with the symbol *#*) or *flatted* (lowered by one semitone, represented with the symbol *b*) and there are five in total per octave; in essence, they represent notes in between the natural notes, meaning that, for instance, a *C# *(*C-sharp*) note is the same as the *Db* (*D-flat*) note. It is important to clarify that there are no accidentals between notes *E* and *F* (no *E-sharp* or *F-flat*) or *B* and *C* (no *C-flat* or *B-sharp*), since a flatted *C* is technically equal to *B* and conversely a sharpened *B* is equal to *C*; the same applies to *E* and *F*.
Therefore, the sharpened notes are *C#*, *D#*, *F#*, *G#*, *A#*, and the flatted notes are *Db*, *Eb*, *Gb*, *Ab*, *Bb*.::
::Transposition - the process of lowering or raising the tonic of a musical piece (its key, or tonal center - a pitch upon which all the other pitches of a piece are hierarchically referenced) by a constant interval, so that the whole piece sounds higher or lower. For example, if a piece written in C minor is played in D minor, it is being transposed higher by two semitones.
Modulation - the process of changing from one key (tonal center) to the other *within* a piece. For example, a piece may be written in C minor but changes to D-sharp major, then to F major, etc. Each of these changes is called a modulation. A transposition of a piece does not disturb the relative changes within a piece, only makes the whole piece universally higher or lower.
::
:
usical interval - a difference between two pitches.
These are, represented by the number of semitones they encompass:
0 - perfect unison (same note)
1 - minor second
2 - major second
3 - minor third
4 - major third
5 - perfect fourth
6 - diminished fifth/augmented fourth
7 - perfect fifth
8 - minor sixth
9 - major sixth
10 - minor seventh
11 - major seventh
12 - perfect octave::

::Octave (perfect octave) - an interval between eight notes (the total number of notes per octave in ancient systems, also called *natural* notes) where the last note is exactly double the frequency of the first and is notated with the same letter but with a raised octave number (eg. *C1* - *C2*; these notes are said to be *an octave apart*). However, the octave can also mean a diapason (range) of notes, seven *natural* notes and five *accidentals*, or twelve notes in total in *12TET*.
Octaves are commonly represented with numbers, starting with 0 (representing the sub contra octave, although most of the octave is below the non-augmented human hearing range) and increasing by 1 with each successive octave.::
::The natural notes are *C*, *D*, *E*, *F*, *G*, *A*, *B*.
The accidentals are natural notes that have been either *sharpened* (raised by one semitone, represented with the symbol *#*) or *flatted* (lowered by one semitone, represented with the symbol *b*) and there are five in total per octave; in essence, they represent notes in between the natural notes, meaning that, for instance, a *C# *(*C-sharp*) note is the same as the *Db* (*D-flat*) note. It is important to clarify that there are no accidentals between notes *E* and *F* (no *E-sharp* or *F-flat*) or *B* and *C* (no *C-flat* or *B-sharp*), since a flatted *C* is technically equal to *B* and conversely a sharpened *B* is equal to *C*; the same applies to *E* and *F*.
Therefore, the sharpened notes are *C#*, *D#*, *F#*, *G#*, *A#*, and the flatted notes are *Db*, *Eb*, *Gb*, *Ab*, *Bb*.::
::Transposition - the process of lowering or raising the tonic of a musical piece (its key, or tonal center - a pitch upon which all the other pitches of a piece are hierarchically referenced) by a constant interval, so that the whole piece sounds higher or lower. For example, if a piece written in C minor is played in D minor, it is being transposed higher by two semitones.
Modulation - the process of changing from one key (tonal center) to the other *within* a piece. For example, a piece may be written in C minor but changes to D-sharp major, then to F major, etc. Each of these changes is called a modulation. A transposition of a piece does not disturb the relative changes within a piece, only makes the whole piece universally higher or lower.
::
:

These are, represented by the number of semitones they encompass:
0 - perfect unison (same note)
1 - minor second
2 - major second
3 - minor third
4 - major third
5 - perfect fourth
6 - diminished fifth/augmented fourth
7 - perfect fifth
8 - minor sixth
9 - major sixth
10 - minor seventh
11 - major seventh
12 - perfect octave::
::Jeff
Interval ?ey: perfect f?urt?, major third, perfect fi?th.
Octave ke???
Key ?: 360?6767377646777
Key 2: 3603766346774374?7477
K?y 3: 36?36676?36333767776376
Key 4: 3?073673766?37334336::
:
ickey
Interval key: major second, diminished fifth, major sixth.
Octave keys:
Key 1: 40204114444043?11?41540441
Key ?: 4021441014140?311?11
Key ?: 40204454100341?15?400442
Key ?: 40241401003044?01?45541::
::Arthur
??terval key: perfect unison, minor third, ?inor sixt?.
Octave keys:
Key 1: ?240002200??0220222
Key 2: 0240??02000202202002000220220020??
Key 3: 0240022?00004222220042000??020200
Key 4: 0?40?0022??0002202?0023?2220::
::Hammond
Interval key: major ?econd, p?rfect fourth, minor seventh.
Octave k?ys:
Key 1: 36033673736773377377363673?
Key 2: ??033776676366363773716363733?377
??? ?? 36063367?63637337766633
Key 4: 360333?63661333773337
::
::Thadious
Interval key: major seventh, major third, major seventh.
Octave keys:
Key 1: 63047444447474774544
Key 2: 63074764444777447456745
Key 3: 6304744644477
Key 4: 630444646444774764644
::
::Jordan
In???val key: minor third, diminished fifth, major seventh.
Oct?ve keys:
Key 1: 0?63??34330304004433300430??04
?ey 2: ?36033433030004
??y 3: 036??00434340?3030?0040?004
??? 4: 0?600433?74100403?0330::
::Yusuf
Interval key: minor third, diminished fift?, major seventh.
Octave keys:
Key 1: 0363013433030400443330
Key 2: 03603343303000434443
Key 3: 0361000434340430300004040
Key 4: 036004333?41004030::
::Ian:
Interval ???: ????? sixth, minor second, minor sixth.
Octave keys:
Key 1: ?0614174430300403
Key 2: ????41100303443114341301330?
Key 3: 3?64141433001014140011411
Key 4? 306331??110400303113171404??4::
Interval ?ey: perfect f?urt?, major third, perfect fi?th.
Octave ke???
Key ?: 360?6767377646777
Key 2: 3603766346774374?7477
K?y 3: 36?36676?36333767776376
Key 4: 3?073673766?37334336::
:

Interval key: major second, diminished fifth, major sixth.
Octave keys:
Key 1: 40204114444043?11?41540441
Key ?: 4021441014140?311?11
Key ?: 40204454100341?15?400442
Key ?: 40241401003044?01?45541::
::Arthur
??terval key: perfect unison, minor third, ?inor sixt?.
Octave keys:
Key 1: ?240002200??0220222
Key 2: 0240??02000202202002000220220020??
Key 3: 0240022?00004222220042000??020200
Key 4: 0?40?0022??0002202?0023?2220::
::Hammond
Interval key: major ?econd, p?rfect fourth, minor seventh.
Octave k?ys:
Key 1: 36033673736773377377363673?
Key 2: ??033776676366363773716363733?377
??? ?? 36063367?63637337766633
Key 4: 360333?63661333773337
::
::Thadious
Interval key: major seventh, major third, major seventh.
Octave keys:
Key 1: 63047444447474774544
Key 2: 63074764444777447456745
Key 3: 6304744644477
Key 4: 630444646444774764644
::
::Jordan
In???val key: minor third, diminished fifth, major seventh.
Oct?ve keys:
Key 1: 0?63??34330304004433300430??04
?ey 2: ?36033433030004
??y 3: 036??00434340?3030?0040?004
??? 4: 0?600433?74100403?0330::
::Yusuf
Interval key: minor third, diminished fift?, major seventh.
Octave keys:
Key 1: 0363013433030400443330
Key 2: 03603343303000434443
Key 3: 0361000434340430300004040
Key 4: 036004333?41004030::
::Ian:
Interval ???: ????? sixth, minor second, minor sixth.
Octave keys:
Key 1: ?0614174430300403
Key 2: ????41100303443114341301330?
Key 3: 3?64141433001014140011411
Key 4? 306331??110400303113171404??4::
If anybody knows what any of this shit means, likes puzzles and wants to help me I would give you a huge brofist