Twinfalls
Erudite
- Joined
- Jan 4, 2005
- Messages
- 3,903
So Ted Peterson seems to have been finally booted out of TES completely. Here's his comment on the TES boards just recently. Note how he stays poetic to the end..
The 'keyes' right at the end is a reference to Greg Keyes, who has been given the role of writing TES stuff in some form or another, possibly a novel. 'Madness's Summit' is his pet fondness for Sheogorath, whose character Peterson created if I'm not mistaken (I'm no TES scholar-nerd)
For those of you who don't know, Ted Peterson was a lead designer on Daggerfall and wrote for Morrowind, and a book or two for Oblivion. This guy is a true gentleman, if you ever wade through the toxic marshes of the ESF, his interactions with fans are always gracious and generous. He was a writer by trade before joining Bethesda, and it's clear that writing has remained his passion. Yet he is on record as stating that he offered to write a TES novel, but his proposals were rejected by Todd Howard for unstated reasons.
The guy is a damn fine writer. Here are a couple of his works - good, straightforward, entertaining pieces of fantasy with a classical humour and lack of pretension (though he could also get plenty weird when he wanted to):
Dance in Fire
The Argonian Account
(they follow the same character's travails so they're worth reading sequentially)
I am not familiar with Keyes' work. Have any of you read his stuff? He sure knows how to inspire a complete lack of expectation:
It really does seem like the end of TES as we knew it. Despite the improvements to their gaming formula made by Bethesda in FO3, I can't see TES returning to the works of art they were before Oblivion.
(Adventurous Putty @ Jun 17 2008, 01:27 PM)
And besides, MK's alter ego is Vehk; Tedder's alter egos are a bunch of nerdy authors. Should the argument get physical, they wouldn't stand a chance.
To nerdy authorship from Madness’s Summit,
I’ve fallen shivering, down and down I plummet,
Dropping lower and lower each night and day,
Merely look to the Hunt and nest of corvus corvidae
And you’ll hear the last of the Dam Dog’s moans
As the abyss becomes one of thorns and bones
From God to scribe to naught but a fading breeze
To the house of the scrolls someone else has the keyes.
The 'keyes' right at the end is a reference to Greg Keyes, who has been given the role of writing TES stuff in some form or another, possibly a novel. 'Madness's Summit' is his pet fondness for Sheogorath, whose character Peterson created if I'm not mistaken (I'm no TES scholar-nerd)
For those of you who don't know, Ted Peterson was a lead designer on Daggerfall and wrote for Morrowind, and a book or two for Oblivion. This guy is a true gentleman, if you ever wade through the toxic marshes of the ESF, his interactions with fans are always gracious and generous. He was a writer by trade before joining Bethesda, and it's clear that writing has remained his passion. Yet he is on record as stating that he offered to write a TES novel, but his proposals were rejected by Todd Howard for unstated reasons.
The guy is a damn fine writer. Here are a couple of his works - good, straightforward, entertaining pieces of fantasy with a classical humour and lack of pretension (though he could also get plenty weird when he wanted to):
Dance in Fire
The Argonian Account
(they follow the same character's travails so they're worth reading sequentially)
I am not familiar with Keyes' work. Have any of you read his stuff? He sure knows how to inspire a complete lack of expectation:
Q: What are you currently working on at the moment?
Greg Keyes: Right now I'm trying to figure out what I want to write next. I finished Thorn and Bone and got to thinking, “What now?” I wasn't really sure. I was just approached to write some Elder Scrolls, though, and it's great because my research is to play Oblivion [Elder Scrolls IV]. [Laughs]
Q: Cliffhangers are an integral part of your work, and they're often used to end almost every chapter of your books. How do you avoid having them become a gimmick?
Greg Keyes: I don't know! It's just something I've done in almost all of my books. In fact, I was writing some books on Babylon 5 a couple of years ago. I got about halfway through one of the books and something just didn't feel right about it. I realized, “Wait a minute - I'm not switching chapters between different characters.”
I think I do it because I like that kind of writing myself. You know, you read a chapter about one guy and think, “I don't care about him, I want to know what happened to the other guy!” But then you get attached to the current character, which means you don't want to leave him when his chapter ends and swings back to the first guy.
I would say that a lot of that probably comes more from movies than other literature. I'm heavily influenced by movies. In fact, that question about stereotypes and characters...you look at Ang Lee's early work, where he would take a typical story and put an odd twist into it. I know some people are annoyed by that switching chapters thing, but a lot of the things I watched and read growing up were like that, and I liked it. It's also a way of keeping things fresh for me as well.
Q: Contrary to many entries in the epic fantasy genre, time passes quickly in your books. What led to this technique?
Greg Keyes: Sometimes, a couple of days will occupy a large chunk of the book, and then a month will pass. I think that I like a faster pace. To a larger extent, a lot of things that influenced me growing up moved really quickly. You see that influence in my work, and I just kind of like to move things along, not getting bogged down for too long.
It really does seem like the end of TES as we knew it. Despite the improvements to their gaming formula made by Bethesda in FO3, I can't see TES returning to the works of art they were before Oblivion.