Tags: Vault Dweller
Vault "Vince" Dweller has <a href=http://www.irontowerstudio.com/forum/index.php?topic=330.0>interviewed</a> various cRPG designers on their approach to the setting, story and characters a the <a href=http://www.irontowerstudio.com>Iron Tower Studio</a> forums.
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<blockquote><b>Chris Avellone:</b> When approaching world design (and with more recent IPs I’ve been working on at Obsidian), I usually begin with “what do I want the player to do that’s the coolest thing ever?” Whether that’s allowing the player to convince a mutated dominant lifeform out to enslave the future that his master plan is wrong and talk him into committing suicide, great. If that’s allowing the player to stand in a fortress built out of a thousand lifetimes of regrets on a plane of negative energy and argue with the possibilities my life about why it’s important I be allowed to die, great. If I want to stand in an ancient elven citadel shattered by magics and provoke two half-demons and their army into battle to prevent the destruction of the Ten Towns, so be it.
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Asking “what would be cool to do as a player” is then followed by, “okay, what sort of framework could I build around the world to build up to that cool moment(s)?” World building is similar to story building in some respects… if I want to make a game where I can voyage inside an android’s brain, help a pregnant alley give birth, or a world where I can weave death sounds of the beasts I kill into audio-inspired spellcraft, that cool sample moment of player experience is the starting point, and I start constructing a framework around the world to support and give more power to those moments.</blockquote>
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You can read the rest of the responses at the <a href=http://www.irontowerstudio.com/forum/index.php?topic=330.0>Iron Tower forum</a>.
Vault "Vince" Dweller has <a href=http://www.irontowerstudio.com/forum/index.php?topic=330.0>interviewed</a> various cRPG designers on their approach to the setting, story and characters a the <a href=http://www.irontowerstudio.com>Iron Tower Studio</a> forums.
<br>
<blockquote><b>Chris Avellone:</b> When approaching world design (and with more recent IPs I’ve been working on at Obsidian), I usually begin with “what do I want the player to do that’s the coolest thing ever?” Whether that’s allowing the player to convince a mutated dominant lifeform out to enslave the future that his master plan is wrong and talk him into committing suicide, great. If that’s allowing the player to stand in a fortress built out of a thousand lifetimes of regrets on a plane of negative energy and argue with the possibilities my life about why it’s important I be allowed to die, great. If I want to stand in an ancient elven citadel shattered by magics and provoke two half-demons and their army into battle to prevent the destruction of the Ten Towns, so be it.
<br>
<br>
Asking “what would be cool to do as a player” is then followed by, “okay, what sort of framework could I build around the world to build up to that cool moment(s)?” World building is similar to story building in some respects… if I want to make a game where I can voyage inside an android’s brain, help a pregnant alley give birth, or a world where I can weave death sounds of the beasts I kill into audio-inspired spellcraft, that cool sample moment of player experience is the starting point, and I start constructing a framework around the world to support and give more power to those moments.</blockquote>
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You can read the rest of the responses at the <a href=http://www.irontowerstudio.com/forum/index.php?topic=330.0>Iron Tower forum</a>.