I think what we're seeing ITT from some folks shows how important "narrative buy-in" can be. CP2077 is clearly a more full RPG than the Witcher games, but people are just intensely suspicious of it because it's a new thing. They don't know who V is, they're not invested in his story or his world. They don't know if they like its style and its vibe.
Zoomers, man. They just don't grok Cyberpunk, perhaps because the world we live in is uncannily similar to the world in it.
What they see as "SJW agenda" or "multicult" or whatever are just core tropes in it. Cyberpunk was a reaction against the escapist square-jawed-space-marines-and-spaceships-and-galactic-empires-oh-my type sci fi that the genre was largely identified with before then. It was about technology on and under the skin, how that molds society and people, the logical outcomes of runaway capitalism, consumerism, and ecological destruction, mass migration, displacement, anomie. I was in early teens Neuromancer was published. I was already a giant sci-fi nerd, knew my Asimovs and Heinleins and Clarkes and Lems and Zeleznys, and man was it a revelation, the whole genre blown up and put together in a new and radical configuration. You had to be there, man.
(The pre-emptive whining about gameplay is just that, pre-emptive. Maybe it'll be shit, maybe it won't, but at least there will be more variety to it than swish-swish-sign. Liking RPGs was always frowned upon here anyway, even if it's gotten to rather ridiculous extremes lately.)