Dhruin said:
Wow, that's some screwed up logic. Just say you like the pretty box -- which is perfectly reasonable -- and leave it at that.
No, it's just not like that. I will give you an analogy to understand:
In Germany the cinemas are divided into 3 groups: 1. The good ol' traditional movie theatre which has been there since ever. It hase two screens and a nice cozy atmosphere. 2. The giant multiplex cinemas that were built from the early nineties on. They have 15 screens and a bag of popcorn costs a fortune. 3. The art-house cinemas that are in some backyard of a bigger city. You can't buy coke there because it symoblizes American imperialism.
Small independent movies (or bigger, but unknown movies from 3. world countries) are only shown in the art-house cinemas these days. That was not always the case. In the days before the multiplexes those movies were shown on a regular basis in the local cinemas. Not anymore.
Why is it so? I watched an interview with the CEO of Germany's biggest multiplex chain: He said that the he WANTS TO SHOW THOSE MOVIES, but he can't, because the publishers and importers of those small movies won't deliever the 350 copies of the movie he demands, so he can show them in every theatre he manages on at least one screen. They won't deliever because they don't want to risk the amount of money they have to invest to produce 350 copies of the movie reels. Instead they just make 30 copies and the multiplexes can't show them, because the identity of their movie schedule in every theatre is part of their business model.
To compete with the blockbuster-only movies of the multiplexes, the small old cinemas will show also show mainstream only. So, the "small movies" are in effect only shown in art-house cinemas.
What effect does this have: There are no more "small movies" in traditional theatres and there never were in multiplexes. The old art form of "industrial films" or "short films" shown before the main movie has virtually died out or retreated to the art-house cinemas. Independent movies and short films were ghettoized by the stupid independent publishers and importer who avoid every financial risk. By avoiding that risk they only earn small, but sure incomes - they dwell on that business model and don't have the balls to expand from it.
Final effect: Young people (aka the xbox crowd) enter a cinema without knowing which movie to watch. The look at the pictures and then decide on an instant. They can't watch independent movies in multiplexes but are forced to choose only from maintream movies, because the independent movies are denied from the multiplexes by the publishers. The xbox crowd can't develop a different taste in movies.
End of story: DD is the same ghetto as art-house cinema is. The xbox crowd is denied the ability to develop a different taste in games, when indies don't show up in stores anymore, because daddy decides what to buy for his son from the shiny boxes in the shelves. With DD in effect he only can buy OBLIVION, but he won't have even the chance to buy a game like WORLD OF CHAOS (if it's DD only).
@Dhruin
No, this logic is not twisted. I thought you liked me, pointing rpgwatch.com to news about WORLD OF CHAOS.