Annie Mitsoda
Digimancy Entertainment
- Joined
- Aug 27, 2008
- Messages
- 573
One big thing I learned about writing dialogue: it is ENTIRELY DIFFERENT writing something being voiced as it is something being read. I know that sounds obvious, but really - the eye needs to see commas and periods in sentences (which can read comfortably far longer than one can speak in a single breath), where we actually speak with dash/hyphen style pauses in-between thoughts, and add little breath/thought breaks that make spoken dialogue sound natural but look very odd when written out. Really good voice actors (and I've had the pleasure of working with several) can look at a line that's written to be read and tweak it - just through delivery - into something that makes sense when spoken, but admittedly they can only do so much.
SO. I actually rather like voice acting, but it really works when writers know from the beginning which lines will be voiced and which lines won't be. I think there are many writers in the industry who are used to writing for either spoken or written and not as much for both, and it's reflected in the end product. When VO works, though, I think it's a joy to listen to. When it DOESN'T, however, I'm with people who hiss and wince and turn the sound off.
SO. I actually rather like voice acting, but it really works when writers know from the beginning which lines will be voiced and which lines won't be. I think there are many writers in the industry who are used to writing for either spoken or written and not as much for both, and it's reflected in the end product. When VO works, though, I think it's a joy to listen to. When it DOESN'T, however, I'm with people who hiss and wince and turn the sound off.