As with PF:K though, the woke stuff is still like a decade behind the West's, in essence. The writing is still more concerned with the actual characters and the actual story - albeit they're stronk wymmyn types, lesbos and all the rest of it. (In fact, come to think of it, even the lesbianism is old hat.)
See, Western stuff has reached the stage where it's nothing but activism, pure activism, unmoored to reality, or even entertainment, in any way whatsoever, with almost no concern for story or character development.
But the fag end of Russia's later exposure to all this crap means they're still as the West was from the late 90s to the end of the Noughties, just with more garish up-to-date visuals. You get the impression that they're still actually concerned with these things from a humanist perspective, as opposed to the White hot hatred and deconstruction of Western civilization evinced in Western woke stuff. They're concerned about being nice to degenerates and oddballs because you might hurt their feelings - the older phase of propaganda that we've gone way past now.
Or to put it another way, the characters still actually have stories and psychological development. Almost nothing like that can be found in the West today. All entertainment is spectacular set pieces for the rubes, strung together with teaching moments, and nothing but that.