How could they not work this out with Atari? BG3 would yield a good profit for both parties involved under the right agreement that sounds counter productive.
Someone summarize the last 20 pages since yesterday please
How could they not work this out with Atari? BG3 would yield a good profit for both parties involved under the right agreement that sounds counter productive.
You're asking why a company who was so mismanaged they couldn't pay something basic like royalties didn't try to negotiate like a basic smart person would do?
To get to the point that you're willingly skipping royalties is p. huge. It basically means
1. Ignore the scheduled royalty payment
2. Ignore emails from the company asking "hey what's up with the royalties?"
3. Likely ignore a couple letters. calls and emails from the company's lawyers asking for said royalty.
I'm not saying ur question is unreasonable, but just trying to make the point of how ridiculous the situation was to miss those royalty payments.
Pretty sure it was a liquidity issue rather than a not having their shit together issue.
Why would Atari let a lucrative license sit with a developer that couldn’t afford to pay them and likely couldn’t afford to develop the game?
There was little reason for Atari to believe they could make money from BG3, at least not without waiting a long time and/or suing Interplay for it.How could they not work this out with Atari? BG3 would yield a good profit for both parties involved under the right agreement that sounds counter productive.
At that point, Interplay owed money to Atari, the IRS, banks, Warner Bros., their own employees, and others. At one point they even had their office locked down for a day and almost got evicted for failing to pay rent. Their stocks were worth pennies, most of their licences had been sold, several divisions were closed or sold, they had little cash, and the company's revenue was down. The fact they couldn't (or wouldn't) even pay a $200k advance was also a strong sign that the ship was sinking.
Going concern is a basic underlying assumption in accounting. The assumption is that a company or other entity will be able to continue operating for a period of time that is sufficient to carry out its commitments, obligations, objectives, and so on. In other words, the company will not have to liquidate or be forced out of business in the foreseeable future.
The going concern provides some logic for the cost principle: If a company is a going concern, it is not planning to liquidate, so why report the current value of its long term assets? However, if an asset's value has been impaired, the asset's carrying amount might be reduced to an amount lower than its carrying value.
FACTORS AFFECTING FUTURE PERFORMANCE AND GOING CONCERN
The Company's independent public accountants included a "going concern"
explanatory paragraph in their audit report attached to the December 31, 2002
consolidated financial statements which had been prepared assuming that the
Company will continue as a going concern.
The Company has incurred substantial historical operating losses through
September 30, 2003, and at that date, had a stockholders' deficit of $15.9
million and a working capital deficit of $18.3 million. The Company has
historically funded its ongoing operations primarily from existing operations,
through the use of lines of credit, royalty and distribution fee advances, cash
generated by the private sale of securities and the sale of assets.
To reduce its working capital needs, the Company has implemented various
measures including a reduction of personnel, a reduction of fixed overhead
commitments, cancellation or suspension of development on future titles which
management believes do not meet sufficient projected profit margins, and the
scaling back of certain marketing programs. Management will continue to pursue
various alternatives to improve future operating results, and further expense
reductions, some of which may have a long-term adverse impact on the Company's
ability to generate successful future business activities.
In addition, the Company continues to seek and expects to require external
sources of funding, including but not limited to, a sale or merger of the
Company, a private placement of the Company's capital stock, the sale of
selected assets, the licensing of certain product rights in selected
territories, selected distribution agreements, and/or other strategic
transactions sufficient to provide short-term funding, and potentially achieve
the Company's long-term strategic objectives. In this regard, the Company
completed the sale of the Hunter franchise in February 2003, for $15.0 million.
In August 2003, the Company completed an agreement with Avalon Interactive Group
Ltd. ("Avalon"), which changed its name from Virgin Interactive Entertainment
Limited on July 1, 2003 and is a subsidiary of Titus Interactive SA ("Titus"),
the Company's largest stockholder. This agreement modified the terms of the
parties' distribution agreement relating to an upcoming title. Under the terms
of this agreement, the Company was paid a cash advance of approximately
$740,000. Upon delivery of the gold master to this title the Company will
receive approximately an additional $740,000.
If the Company's existing cash and operating revenues from future product
releases are not sufficient to fund the Company's operations, no assurance can
be given that alternative sources of funding could be obtained on acceptable
terms, or at all. These conditions, combined with the Company's historical
operating losses and its deficits in stockholders' equity and working capital,
raise substantial doubt about the Company's ability to continue as a going
concern. The accompanying condensed consolidated financial statements do not
include any adjustments to reflect the possible future effects on the
recoverability and classification of assets and liabilities that may result from
the outcome of this uncertainty.
Having a Going Concern paragraph in your financials is basically a death rattle Kyl Von Kull. And this comes from the link you posted earlier.
Yeah, bankruptcy is the ultimate liquidity issue.
I'm not anyone's damage control, and I have no personal attachment to either side in the argument. Can you even read? Because obviously you can/don't want to make the distinction between allegation and fact. Posting on the assumption that someone's allegation is fact fits "Fake news" perfectly.Avellone has already said his piece, try to damage control all you wish.
I was thinking to ask you the same yesterday, and I imagined you would reply just that - when the projects and teams were smaller, everyone knew each other better, and the stakes were lower. And everyone younger, I suppose.Interplay: First few years were stressful b/c Black Isle was finding its way
I know how this feels, though my experience is of a much shorter period spent at the same place.when you’re at a company with the same people for so long, it’s hard to tell what else might be out there or what else you could do
He played AoD, that's for sure. Don't know about Grimoire.Chris Avellone, have you played Vault Dweller's Age of Decadence or Cleveland Mark Blakemore's Grimoire?
MCA about AoD said:I gave it another go now that I'm back from inXile work for the week, and gave the Praetor a try. Feedback:
- Still loved the writing. Chatting with the Preacher and outwitting the foreign traveler (name escapes me - S___?) to learn the secret of the smelter and the blue steel was cool, made me feel clever and rewarded for choosing speech skills.
- I felt like all the skills were getting good mileage as well in conversations.
- Liked the fact the intros were different for each class (didn't realize that previously).
- Did better in combat this time because I dumped everything into sword and made sure to equip myself properly - still, died in the first merchant ambush ("hey, come see my wares") with the two thug servants.
- Praetor: When I used etiquette with Antidas to get the armor, it wasn't clear to me where I was going next to get to Dellar (?), and when I got to Dellar, he didn't give me any armor, even though it seems to have been given to me, I wasn't sure where I was notified when that happened.
- I was confused what I was doing with Linos when I jumped there from Antidas.
- The jumping back and forth to NPC to NPC is alternately helpful and alternately confusing - helpful in that it would be hard to find them again, and confusing in that the "jumps" tend to break the flow rather than help it.
- I like the non-spoken intros to the NPCs that introduce them and their roles in the city, nicely done.
- Loved the starting outfits for each class.
- Was confused why I couldn't modify my combat skills at the outset.
Here:So where did Fenstermaker say anything about mental disorders? The codex interview?
Heads up - I just received this from Eric Fenstermaker:
Eric Fenstermaker said:
- I don’t like discussing anything remotely negative about coworkers in the press. No one comes out looking worse than you when you do that. But here, I think I need to get more detailed than I would want to in order to clear something up.
To the suggestion that Josh “interfered” in the process involving cutting down Durance and the Grieving Mother, everything he did was professional and warranted by the circumstances. The budget on those companions was blown, not just a little but a lot. Very late in development. They were unimplementable in the time we had, and the company had promised them to the Kickstarter backers. So while I’d have preferred to have just worked it out between myself and Chris, at that point in production it was unfortunately not what the situation called for. A high-level decision needed to be made, so more people had to be looped in.
The interview characterizes ownership as having gotten worked up over something they didn’t know the specifics of, and I won’t speak for them, but if I were in their shoes, faced with this development, I would have been concerned. None of the potential outcomes looked rosy.
It’s been thrown around that objectionable subject matter was the reason behind the cuts. Sexual violence is dealt with elsewhere in the game, and there is swearing all over the place. So there was no looming censor. I don’t want to get into criticism here, but there were some choices that Chris made later in the writing that I thought bore more consideration, and in better circumstances if we’d been able to keep the thread, I’d have liked to discuss a different approach in some specific places. I believe it would have been possible without altering their story or defanging the material. It ended up being beside the point – the easiest cuts to make by far involved that story thread, and so it was left on the cutting room floor.
I did have a role in things turning out this way and I did apologize to Chris for it. I gave far too little oversight, thinking that a set of constraints and approval of an initial design, with periodic email check-ins would be sufficient. Chris was often offsite, I was swamped, and it was all too easy to backburner communication. I thought more regular feedback would only have been a hindrance to someone who’d made a lot of his reputation off of so many well-liked companions. If I had caught the issue sooner, we could have made the cuts sooner, in a much better context, and in that regard I should have done better. He did put genuine effort into the creative aspect, and that made the outcome that much more regrettable. I don’t know what Chris thinks about his own responsibilities and missteps in the matter, but I hope he recognizes them.
- The PoE story was approved by management not because of poor judgment but because it was time to say “good enough” and hope for the best. We had something that was a completed draft that incorporated many of the best elements from previous pitches. As a place to start, it was workable. An independent developer can only pay its employees to spin their wheels with nothing to work on for so long. I suspect that the story wasn’t far off from something that was more deeply satisfying, so I don’t think it was a bad bet to make, even if the end result was flawed. Sometimes in development, we get the story figured out well in advance, sometimes it doesn’t work out that way. Here, it didn’t.
- There’s kind of a strange insinuation in the interview that maybe I got a bad employee review because of the PoE story (?), and the phrasing almost seems to imply that this might have been related to my departure. I didn’t and it wasn’t. I always found Obsidian to be forgiving of mistakes as long as you were earnest in your efforts to learn from them, and I tried to be that. I appreciate the owners and my managers bearing with me.
Chris’s experience with Obsidian is his own. But it’s just that, one experience, filtered through a particular point of view, selective in its memory, and biased by its nature. So is mine. No one perspective should be taken for gospel. Me, I liked it there, enough to stay for more than a decade, and I wasn’t without more lucrative options. Good people ran the place. Good people (besides a few genuine personality disorder sufferers) worked there when I was there. Josh was a good director, the owners were good owners. I strongly disagreed with them many times, but it was never because they were coming from a place of bad intentions. Everyone’s just trying to navigate an insanely difficult and stressful business, and for that alone I think you have to approach the profession with a lot of forgiveness in your heart.
- There were a lot of other corrections I wanted to make or explanations I wanted to give about this or that, but looking at it now, I don’t think they’re important in the scheme of things.
Complex detectedbut short men are responsible for not being tall, mocking them is hilarious, and women are entitled to their preferences. Only short, involuntarily celibate fucking white males find this even remotely hypocritical.
How dare you call us basket weavers? No, seriously, what thread are you talking about? Was there really a hungarian forum with this topic?who cares what reddit or an online hungarian basket weaving club thinks?