Elwro
Arcane
Yup, exactly as you say - in a men's choir (I also sang in one), sure, you can even go down to C and be confident it will be heard. But in the usual mixed choir baritones are the norm in the basso voice, and if other instruments are playing, than in general it will be difficult to have this D as a firm foundation without doubling the voice by something else.Dicksmoker said:Yeah, when I was composing I wasn't quite aware how rare it was for a voice to have that low D. I sung in a men's chorus for 9 semesters (...)
Yup, answers it perfectly, thanks! Unrelated: there are funny moments in Mozart's Masses (e.g. the Spatzenmesse iirc) when for example "ascendit" is set to descending scales, because the given mass was written for a cardinal Mozart detested and he deliberately fucked up the rhetoric :DIt's basically a text painting, except that it's the opposite text painting that you would expect (...)Also, I was wondering about that low "D" note with the text "Angel"... was it a conscious decision with some specific effect to be achieved?
Anyway, a bit of a rambling answer but I think that answers it.
I prefer to keep this as a hobby, I think I'd risk losing interest in it if it became my profession.I would have assumed your primary degree would be in music.
No compensation at all - which means no one will hurry me, and it will take a long time, but it's not a burden, so again, I'll keep it this way.So are the current "musicological" projects you're working on which you mentioned earlier basically a hobby, then? Or are you getting some sort of compensation?
When my scores are prepared, then I'll try to kick off a project: raise funds for a professional recording with a period instrument ensemble, good soloists and one conductor I'd really want to hire, I'd also like to publish a crtical edition of the scores some day. There are grants for such things...