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The Digital Antiquarian on Ultima VI
Editorial - posted by Infinitron on Fri 7 April 2017, 19:41:31Tags: Origin Systems; Richard Garriott; The Digital Antiquarian; Ultima VI: The False Prophet; Warren Spector
The Digital Antiquarian continues his foray into the RPGs of the early 1990s. The topic of this week's article is Origin's Ultima VI: The False Prophet. Ultima VI was a revolutionary game in many ways, abandoning the venerable Apple II in favor of the IBM PC as primary development platform and switching from the classic dual-scaled tile-based style of the earlier Ultimas to the seamless world that would go on to inspire titles such as the Elder Scrolls series. It was also the game that introduced Warren Spector to the computer gaming world. He would play an important role in shaping the game's story and go on to lead the development on several Ultima spinoff titles before becoming firmly associated with the first person immersive sim genre later in the decade. Ultima VI was an important game then, but like many revolutionary games, rough around the edges. The Antiquarian concludes that it was a "transitional work", a conclusion that I fully agree with:
Both the muted critical reaction and that sense of uncertainty surrounding the game have to some extent persisted to this day. Firmly ensconced though it apparently is in the middle of the classic run of Ultimas, from Ultima IV through Ultima VII, that form the bedrock of the series’s legacy, Ultima VI is the least cherished of that cherished group today, the least likely to be named as the favorite of any random fan. It lacks the pithy justification for its existence that all of the others can boast. Ultima IV was the great leap forward, the game that dared to posit that a CRPG could be about more than leveling up and collecting loot. Ultima V was the necessary response to its predecessor’s unfettered idealism; the two games together can be seen to form a dialog on ethics in the public and private spheres. And, later, Ultima VII would be the pinnacle of the series in terms not only of technology but also, and even more importantly, in terms of narrative and thematic sophistication. But where does Ultima VI stand in this group? Its plea for understanding rather than extermination is as important and well-taken today as it’s ever been, yet its theme doesn’t follow as naturally from Ultima V as that game’s had from Ultima IV, nor is it executed with the same sophistication we would see in Ultima VII. Where Ultima VI stands, then, would seem to be on a somewhat uncertain no man’s land.
Indeed, it’s hard not to see Ultima VI first and foremost as a transitional work. On the surface, that’s a distinction without a difference; every Ultima, being part of a series that was perhaps more than any other in the history of gaming always in the process of becoming, is a bridge between what had come before and what would come next. Yet in the case of Ultima VI the tautology feels somehow uniquely true. The graphical interface, huge leap though it is over the old alphabet soup, isn’t quite there yet in terms of usability. It still lacks a drag-and-drop capability, for instance, to make inventory management and many other tasks truly intuitive, while the cluttered onscreen display combines vestiges of the old, such as a scrolling textual “command console,” with this still imperfect implementation of the new. The prettier, more detailed window on the world is welcome, but winds up giving such a zoomed-in view in the half of a screen allocated to it that it’s hard to orient yourself. The highlighted keywords in the conversation engine are also welcome, but are constantly scrolling off the screen, forcing you to either lawnmower through the same conversations again and again to be sure not to miss any of them or to jot them down on paper as they appear. There’s vastly more text in Ultima VI than in any of its predecessors, but perhaps the kindest thing to be said about Dr. Cat as a writer is that he’s a pretty good programmer. All of these things would be fixed in Ultima VII, a game — or rather games; there were actually two of them, for reasons we’ll get to when the time comes — that succeeded in becoming everything Ultima VI had wanted to be. To use the old playground insult, everything Ultima VI can do Ultima VII can do better. One thing I can say, however, is that the place the series was going would prove so extraordinary that it feels more than acceptable to me to have used Ultima VI as a way station en route.