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EXODUS - Sci-Fi Action-Adventure RPG with Time Dilation from James Ohlen's Archetype Entertainment

scytheavatar

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Joined
Sep 22, 2016
Messages
692
Why is it that whenever these ex-whoever devs make their own games, they end up being lazy ripoffs of the games they previously worked on? Exodus, Astropulse, Stormgate... Are they creatively dead inside?


Because these new studios with big name devs keep making the same mistake, they keep being too ambitious in their first game. Seeing a new studio make an AAA as their first game is usually a giant red flag that the game is going to fail. The most talented creatives are worthless if the system isn't there for them to create stuff. Unfortunately far too many of these devs have big egos and refuse to start small but different from others. It becomes difficult to be too fancy and different when you have publishers/investors breathing down at you.

It doesn't help that Unreal engine is increasingly becoming the worst thing to happen to the gaming industry, these devs don't just use the same engine they use the same blueprints and free assets.
 

Lyric Suite

Converting to Islam
Joined
Mar 23, 2006
Messages
58,301
Why is it that whenever these ex-whoever devs make their own games, they end up being lazy ripoffs of the games they previously worked on? Exodus, Astropulse, Stormgate... Are they creatively dead inside?

Capitalizing on the pedigree.

It works too. Nobody would even look at Stormgate if it wasn't for the Blizzard and Starcraft association.

This is a double edged sword however if the game fails to live up to the hype, which is nearly always the case.
 

RaggleFraggle

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No wonder triple A is heading off a cliff. Buyers sound pretty entitled too: they aren’t gonna like the inevitable reality check.
 

Morgoth

Ph.D. in World Saving
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Clogging the Multiverse with a Crowbar

JUST AT THE EDGE OF HEARING


Not all arkships arrived in Centauri at the same time, my child, nor did they all have the same success starting a settlement. Those who arrived first – those who evolved into what we now call Celestials – were not always the most gracious of hosts. Sometimes they tolerated the humans who came centuries – or millennia – later. Often, they enslaved or exploited us. Other times they ignored us. On very rare occasions, they even seemed to help us.

But though we share a common origin, the Celestials have evolved into something post-human, in-human. They are not allies. They are not our friends. The best policy is to simply avoid them as much as possible. Settle on worlds the Celestials have abandoned or ignored. Planets where fledgling human colonies might be able to thrive and flourish on our own merit.

Yet one can’t help but wonder, on discovering one of these rare, unclaimed worlds: Why is it still empty?
Your browser does not support the video tag.

“I see what’s wrong with it,” Ollie said. “But I don’t see what’s wrong with it.”

Steven gave him an odd look. “Say what?”

“I mean it’s… something’s scrambled in the nuclei of some of the cells. I’d say at random but it’s like… a pattern.”

“I don’t see it. I just see a potato,” Steven said. “Which means this is Ag Sci’s problem and not Gene Tech.”

“Well, the potato’s genes.”

“You know how easy Ag Sci have it on this planet?” Steven was getting into his stride. “I mean, okay, no oxygen yet. Another five generations before our little extremophile bugs put out enough for you to plant your potatoes outside. But eight-tenths Earth gravity. Temperatures like a sunny day in Nebraska. Big flat plains, Ollie. Big flat plains of dust so chock full of hydrocarbons it’s positively soil without the gribblies that’ll eat your potatoes. Just enclose a dome and pump some air in. Alien Mother Nature’s already done the hard work. And you know what? They even break the potatoes! And somehow, it’s our problem then.”

“Just, all broken up inside,” Ollie said wonderingly, looking at the next micrograph of jumbled base pairs. And theoretically in that mess was the genetic code that would grow you a potato but nobody was putting that jigsaw together. “You hear the news from the teratology ward? Lot of people been developing ‘tomas'.
Your browser does not support the video tag.

“Potatoes!” Steven shouted. “I mean, damn me, those are like the quintessential space food, aren’t they? Even some clown that got himself marooned can grow potatoes. You saw that old movie, Ollie? Where the spaceman grows potatoes? What was it…?”

“Spacetato?”

“Spacetato, that’s the one. And here we are with the best planetary cards anyone could ever deal us, and our dumbass Ag Sci boys can’t even…”

Ollie wasn’t listening anymore. Each new image seemed to be boring into his mind. There was more than a pattern in the distribution of damaged potato cells. There was a message. He’d heard it before, just as he fell asleep. A voice at the edge of hearing whispering… terrible things, incredible things.

“Steven,” he said, feeling his teeth vibrate, “Do you hear that?”

Steven was still ranting about the inadequacy of potato farmers.

Ollie made a sound. It was supposed to be a word, but it came out as a guttural buzzing deep in his chest.

“Say what?” Steven asked, broken from his tirade. “Ollie, you just hawked up a… Damn me, man, that looks like half a lung.”

Ollie turned to him, feeling blood all over his chin and strung between his teeth. “I,” he gurgled out, “hear…” And he heard, and he needed to make sure Steven heard, but the sound wouldn’t go in Steven’s ears properly and so he had to make some other entry for it, to let it into the man’s skull. He lunged, feeling his colleague’s throat twist under his fingers, jaws gaping so he could worry away at Steven’s flesh.
Your browser does not support the video tag.

The recording was shocking enough to silence the room. A man turning on his neighbor and savaging him, gone completely and cannibalistically insane without warning. Or apparently without warning. The autopsy – of both men because Ollie had torn Steven’s throat out before anyone could intervene – had shown the fingerprints of the true killer.

Dalina Vael, chief medic, began sliding her findings onto the screens of the assembled ark and civilian leadership.

“A catastrophic breakdown of intracellular structure spread across the body,” she explained. “We’ve seen similar signs before, at earlier stages. Mr. Ollie had several symptoms he wanted checked out, but the damage had avoided his major organs and so he was too far down the list. We never got to him before it got to his brain.

“It what?” someone demanded. “There’s nothing alive out there, even at the microscopic level. And we’ve taken the utmost quarantine precautions anyway. Everything’s screened, irradiated, scanned, sieved… How can there be an it?”

“How do you cure it,” someone else shouted over them.

Doctor Vael just stood there, fiddling with her own screen, mouth twitching.

“Doctor?” the ark captain prompted her. “If it’s a biological agent that’s somehow interacting with our biology, then what have we missed? How do we screen it out.”

“It isn’t a biological agent,” Vael said briskly. “In fact, we took far too long to work out what it was, because that’s what we were looking for. Because we were seeing these low-level symptoms killing the crops, making us sick… and now this. It was what Ollie said that finally put me on the right track. You can just catch it, under Steven’s rambling, "Do you hear that?" he says. And naturally we’ve looked at his ears and there’s no infection. The damage barely touches there, but… one of the geophysics team was complaining about auditory hallucinations. Like a buzz all the time, a kind of vibrational tinnitus. We told him it was nothing. He didn’t believe us. He repurposed a chunk of the earthquake kit. And he was right. It wasn’t nothing. He’s in the ward with acute liver failure right now. But we have his results.”

“It’s some silicate? Some geological microstructure,” someone interrupted her. “Surely there’s nothing so small it’s getting past our filters?”

“Not that,” she said patiently. “It’s… the planet. Not a small thing at all. A very big thing.”

“The planet,” the captain echoed scornfully, “is making people sick?”

“The planet,” she confirmed, “is killing us. And our crops. With its song.”

That, at least, was enough to shut down the chatter for the first time since after they’d seen Ollie’s rampage.

“Let me ask you something,” she said. “Have any of you heard a sound, right at the very edge of your ear. When it’s quiet, at night. When you’re on your own. And you realize it’s always there, just so soft that most of the time it’s drowned out? A whistle or a hum or a buzzing. I have.” And she saw the faces that flinched and the ones that didn’t, and nobody admitted to anything. “If you’re keeping quiet because you don’t want to admit to being sick, then you should know that hearing the sound just means your ears are better for certain frequencies. Everyone’s body is being affected by it. Every living thing we grow here. Every human being.”

“Is it an attack?” someone wanted to know.

“Not even that,” she said, because at least an attack would be comprehensible, something on the human scale. “It’s the planet,” she said helplessly. “Deep geological movement of tectonic plates creating a constant harmonic vibration entirely alien to anything we ever encountered on Earth. It shakes apart our cells from the nucleus out. The patterns Ollie observed reflect the waveforms of the sound. It’s in all of us. We’re all sick with it.”

“How do we keep it out?” the captain demanded.

“We can’t,” she said. “It’s not a germ or a toxin or even radiation. It’s a vibration and it runs through the entire planet. And that means, even though so many other constants are in our favor, we must leave. It’s a death world, and if we stay it’s going to sing us all to death.”
 

Vulpes

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Oct 12, 2018
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Fourth Rome

Sapient animals in a sci-fi setting is probably the dumbest fucking thing they could've gone with. What was the thought process here? "Hmmm, the colonists on the ice planets seem to have a hard time adapting to the environment... Aha, I got it! I will give grizzly bears the ability to write poetry and ponder on the meaning on life! That will make things better!!!"
 
Joined
Oct 18, 2022
Messages
435
That actually does sound like the kind of stupid shit humans would do.

There are classic sci-fi stories about uplifted animals - Startide Rising comes to mind - so the basic trope is legit. Doesn't mean these devs will handle it well, of course.
 

RaggleFraggle

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Mar 23, 2022
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Yeah, furries in scifi is pretty old hat by now.

There was an entire series about that. The Moreau series by S. Andrew Swann. The gist is that scientists made humanoid animals to serve in militaries. Why? I have no clue. The only explanation the book gives is that mongooses make better surgeons somehow. It had books set in the 21st century, books set in the distant future during an interstellar bug war, and most recently a text game. (The author was unaware of furry fandom until he used the internet and furries told him they liked his book. It’s not intentionally furry fic so it doesn’t have the usual tropes associated with.)

For the first and fourth books, the main character is an Indian tiger moreau named… wait for it… Nohar Rajasthan. (This is the Indian equivalent of naming your protagonist Paris Texas.)

Apparently one of the writers at Wizards of the Coast was a fan, because d20 Modern prominently featured moreaus in several books and one whole magazine issue in the 2000s.

But regular bears with bionics bolted on? That’s gonna look really goofy compared to making them humanoid.
 

Morgoth

Ph.D. in World Saving
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Messages
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Location
Clogging the Multiverse with a Crowbar
In the recording studio:

Director: "Speak the fucking line again, Matthew!"

Matthew:
source.gif
 

toro

Arcane
Vatnik
Joined
Apr 14, 2009
Messages
14,818
They released a lot of teasers in the last weeks. It's a strange marketing strategy considering that the game will be released in 2026.

But I have to admit, popamole or not, this looks like AAA done right.
 

RaggleFraggle

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I get the impression that the creator wanted desperately to make a conventional fantasy setting with fairytale talking animals, but had to settle for making a scifi game instead.
 

grimace

Arcane
Joined
Jan 17, 2015
Messages
2,087
What's going on here?

Become a Founder and receive the EXODUS Aegis Space Suit!
Join EXODUS GAME via Opt-In by DECEMBER 7, 2024 at 11:59:59 PM (CENTRAL TIME)!

Is this some Star Citizen games as a service bullshit?
 

Tyranicon

A Memory of Eternity
Developer
Joined
Oct 7, 2019
Messages
7,846
I get the impression that the creator wanted desperately to make a conventional fantasy setting with fairytale talking animals, but had to settle for making a scifi game instead.
I got the feeling this is very much Mass Effect without the IP rights.
 

RaggleFraggle

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Mar 23, 2022
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I get the impression that the creator wanted desperately to make a conventional fantasy setting with fairytale talking animals, but had to settle for making a scifi game instead.
I got the feeling this is very much Mass Effect without the IP rights.
Maybe. That doesn’t explain all the weird talking animal stuff.

There are better space opera ttrpg franchises that you could tap to make crpgs. Traveler, Fading Suns, Star Frontiers, Star*Drive…
 

Tyranicon

A Memory of Eternity
Developer
Joined
Oct 7, 2019
Messages
7,846
I get the impression that the creator wanted desperately to make a conventional fantasy setting with fairytale talking animals, but had to settle for making a scifi game instead.
I got the feeling this is very much Mass Effect without the IP rights.
Maybe. That doesn’t explain all the weird talking animal stuff.

There are better space opera ttrpg franchises that you could tap to make crpgs. Traveler, Fading Suns, Star Frontiers, Star*Drive…
I don't think this is a ttrpg-based project at all.

From everything I've seen for this so far, and given that the same people shilling this are generally the ones shilling veilguard, my expectations are very low.
 

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