Bigg Boss
Arcane
- Joined
- Sep 23, 2012
- Messages
- 7,528
Autists and retards.Also, Alfred pumps the batmobile tires. Who would even ask this?
Autists and retards.Also, Alfred pumps the batmobile tires. Who would even ask this?
People will care if the plot hole is big enough to suspend disbelief and take them out of the story.If it's entertaining nobody cares about consistency.
Plenty of Batman comics show Bruce working on the Batmobile.Also, Alfred pumps the batmobile tires. Who would even ask this?
Autists would realize that Alfred tries to do as much as possible to take work off of Batman tho.Autists and retards.Also, Alfred pumps the batmobile tires. Who would even ask this?
Obviously they didn't. Again, these are books for children, it's not the author's fault if adult-children mistakenly believed they were the target audience.People will care if the plot hole is big enough to suspend disbelief and take them out of the story.
They are on the retard autistic spectrum. Like my cousin that walks around naked, is in his late 30's, and lives with his parents.Autists would realize that Alfred tries to do as much as possible to take work off of Batman tho.Autists and retards.Also, Alfred pumps the batmobile tires. Who would even ask this?
The first few books were for children, but Rowling obviously tried to keep pace with her aging fanbase, so your statement is not entirely true.Obviously they didn't. Again, these are books for children, it's not the author's fault if adult-children mistakenly believed they were the target audience.
All of the books released in the span of 10 years.The first few books were for children, but Rowling obviously tried to keep pace with her aging fanbase, so your statement is not entirely true.Obviously they didn't. Again, these are books for children, it's not the author's fault if adult-children mistakenly believed they were the target audience.
They have dwarf sized gargantuas where you live.
Harry is 11 at the start of the first book, so we can safely assume that this was the age of the target audience.All of the books released in the span of 10 years.
I'm 23 and I'm still a child!Harry is 11 at the start of the first book, so we can safely assume that this was the age of the target audience.All of the books released in the span of 10 years.
Do you consider 21-year-olds children?
Wizards can easily erase the memories of non-wizards with the wave of a wand, repair clothing and remove body fluids.Hermione Granger had Muggle parents. Same goes for Lily Evans. How the ability to do magic is obtained was never really explained.
You do the math.
In my experience nobody stops to consider plot holes unless they're not being entertained. Then they ask themselves "What about this isn't working for me?", they start to notice the cracks, and they assume that's what caused them to not be entertained in the first place.People will care if the plot hole is big enough to suspend disbelief and take them out of the story.
At my current age, yes. It is a basic rule of human nature that everybody younger than you is an idiot, and everybody older than you is clueless and out of touch. This remains true no matter how old you are.Do you consider 21-year-olds children?
I do. It immediately calls the whole thing into question. In particular, it robs the story of any sense of tension and anticipation, if the author can just snap things out of thin air.In my experience nobody stops to consider plot holes
I'm with you on that, but only in art that presents itself as serious. Potter is shit-tier and shouldn't be taken so seriously.I do. It immediately calls the whole thing into question. In particular, it robs the story of any sense of tension and anticipation, if the author can just snap things out of thin air.In my experience nobody stops to consider plot holes
That's quite untrue. Do you not notice when a story is written particularly well, when everything just fits into everything else, and the setting remains consistent in its logic? It's a joy to read such a story.In my experience nobody stops to consider plot holes unless they're not being entertained. Then they ask themselves "What about this isn't working for me?", they start to notice the cracks, and they assume that's what caused them to not be entertained in the first place.
Also, Alfred pumps the batmobile tires. Who would even ask this?
Let's take PK Dick as an example of a typical writing career.
Sounds right. Didn't falter the least, it faltered in the most.Chapter 17: Aretino writes his Soneti Iussuriosi.
Chapter 18: Having done so, he loses the favors of Clement VII.
Chapter 19: "... and Aretino, whose favor with the pope never faltered in the least, ..."
After the fact perhaps. If the story is gripping and exciting and entertaining as you read it, there's no time to stop and consider the craft or the logic because you're too busy enjoying it.That's quite untrue. Do you not notice when a story is written particularly well, when everything just fits into everything else, and the setting remains consistent in its logic? It's a joy to read such a story.In my experience nobody stops to consider plot holes unless they're not being entertained. Then they ask themselves "What about this isn't working for me?", they start to notice the cracks, and they assume that's what caused them to not be entertained in the first place.
But then after you're done reading you turn the story over in your mind and the flaws become apparent.After the fact perhaps. If the story is gripping and exciting and entertaining as you read it, there's no time to stop and consider the craft or the logic because you're too busy enjoying it.
I'd say that the more people like the story (or the setting), the more forgiving they are to it. I know intelligent people who like Harry Potter universe as an idea. They don't care about the plot holes. With the setting being so unrealistic already, it makes the suspension of disbelief even easier, which is also an important factor.This is all really basic suspension of disbelief. The answer is simple: the dumber your audience, the less the author needs to actively care about this principle.
The books were getting bigger and bigger with each book though.The "relative" part was a joke. Seven average (both by size and quality) books in 10 years is NOT "gargantuan" by any stretch of imagination. It is something to be expected and very many authors writing popular literature do that and more.
Except I might have to make food or go to work and put down the book, at which point my brain my start thinking and notice things.After the fact perhaps. If the story is gripping and exciting and entertaining as you read it, there's no time to stop and consider the craft or the logic because you're too busy enjoying it.That's quite untrue. Do you not notice when a story is written particularly well, when everything just fits into everything else, and the setting remains consistent in its logic? It's a joy to read such a story.In my experience nobody stops to consider plot holes unless they're not being entertained. Then they ask themselves "What about this isn't working for me?", they start to notice the cracks, and they assume that's what caused them to not be entertained in the first place.
I did read some of the Harry Potter books. I remember at the time I started because this girl I dated for some time was REALLY into them and pressed me for giving them a chance (this was more or less at the time the third book was coming out and she was already in her 20s, for context, so not some "childhood fondness").Comparing Harry Potter to other childen's books (e.g. A Wizard of Earthsea, which also revolves around a boy wizard coming of age) doesn't do it any favors either. Rowling is simply a poor writer, whether for adults or children.