MRY
Wormwood Studios
Perhaps the right analogy here is that both of us are mounted on high horses, galloping in the same direction, and occasionally flicking each other with our riding crops out of pique. Probably not worth extending the debate, since I think we ride together.
That said: "but [Tolkien] was terrible at characterization and thematically stunted." Yeesh. Hard to see how someone can say that and think PS:T has good characters and themes. Tolkien has his shortcomings (including taking sexual and religious passion out of chivalric romance/Norse folklore), but I've never been persuaded by these knocks on him, which seem to be in some sense politically driven. In particular, I've always like the characterizations of Theoden, Denethor, and Sam, and the core theme about fighting to defend a beauty that is fading from the world, even while knowing that it is fading from the world, is very powerful. I also think there is pretty sophisticated thematic stuff going on in the various permutations of failed leaders throughout the world. I know people don't like that Tolkien's bottom line is that good guys should be good, that good ought to triumph through goodness, and that in a moral society, different people are bound for different stations in hierarchies (and that trying to upset those hierarchies is what bad guys do). Those may all be naive beliefs, but they aren't "stunted" beliefs -- a love of dignity, order, and decency are actually mature traits that you never seen in children, while a delight in rascals running amok is almost universal in kids. Thus, I might argue that grimdark fantasies are just a cynical extension of that childish anarchism, whereas Tolkien's luminous fantasies are an adult's efforts to foster the wisdom he's gathered in seeing the world at its worst.
Anyway, that will be my last flick of the wrist -- I'll let you whip me back, if you'd like, but I forbear further debate on the subject. Avellone is great, PS:T is great, and games should strive for game-ness, not novelistic/cinematic excellence.
That said: "but [Tolkien] was terrible at characterization and thematically stunted." Yeesh. Hard to see how someone can say that and think PS:T has good characters and themes. Tolkien has his shortcomings (including taking sexual and religious passion out of chivalric romance/Norse folklore), but I've never been persuaded by these knocks on him, which seem to be in some sense politically driven. In particular, I've always like the characterizations of Theoden, Denethor, and Sam, and the core theme about fighting to defend a beauty that is fading from the world, even while knowing that it is fading from the world, is very powerful. I also think there is pretty sophisticated thematic stuff going on in the various permutations of failed leaders throughout the world. I know people don't like that Tolkien's bottom line is that good guys should be good, that good ought to triumph through goodness, and that in a moral society, different people are bound for different stations in hierarchies (and that trying to upset those hierarchies is what bad guys do). Those may all be naive beliefs, but they aren't "stunted" beliefs -- a love of dignity, order, and decency are actually mature traits that you never seen in children, while a delight in rascals running amok is almost universal in kids. Thus, I might argue that grimdark fantasies are just a cynical extension of that childish anarchism, whereas Tolkien's luminous fantasies are an adult's efforts to foster the wisdom he's gathered in seeing the world at its worst.
Anyway, that will be my last flick of the wrist -- I'll let you whip me back, if you'd like, but I forbear further debate on the subject. Avellone is great, PS:T is great, and games should strive for game-ness, not novelistic/cinematic excellence.