I did like it though, don't mistake me. It's build up very well in terms of structure, from the moment you hear her slave story you're like "something's missing here, why is she so carefree about her slave status" so it doesn't come out up the blue, it makes sense on some fantasy level. In general I'm kind of suffering from cognitive dissonance with the writing when comparing it to Kingmaker:
- On the one hand, I enjoy some of the writing much more. The main plot, the characters in it, and even some of the companions the way their mysteries are set up. Yeah it's disgustingly high fantasy but I'd rather have something that embraces that fully than try something with more ambitious without having the ability. So often I'm sitting there enjoying the writing much more than Kingmaker - which, while it did get interesting near the end, everything leading up that last chapter, story-wise, was incredibly boring.
- On the other hand, when this writing gets bad, it gets... oh my. Everything sexual said by a companion, a lot of the "dramatic moments" etc. aren't just cringe-inducing, they can arrive completely out of the blue with no build-up (like Irabeth's waivering) and seem to be there because the character needed its "challenges and temptations"-moment from the monomyth. The sex stuff reminds me of this meme from one of my favourite centrist meme sites:
Like, if you know "sex positive" people, the way e.g. Wenduag talks about her fetisch is exactly like these people would talk. I'm not judging, I'm just saying it sticks out like a sore thumb when you take that kind of prose and put it into a fantasy world in a story about demons invading.
It's cringe in every definition of the word, and you can't help suspecting that some of these writers Care Very Deeply About Sex Positivity and completely lack the ability to sell those points with more subtlety than just having these characters blankly stating their sexual desires.
So the obvious conclusions is there were many different writers and one or two were obviously more skilled than the rest; because some plotlines have proper setup, dramatic moments and payoffs, while others are all over the place.