Yep. That marketing strategy works for their other games though. They need to come up with a different plan for plot driven games... or well they should have had come up with one way before.
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Tyranny + Bastard's Wound Expansion Thread
- Thread starter jaydee2k
- Start date
Yep. That marketing strategy works for their other games though. They need to come up with a different plan for plot driven games... or well they should have had come up with one way before.
Lacrymas
Arcane
- Joined
- Sep 23, 2015
- Messages
- 18,734
Ok 5ish hours. The collect-a-thon fetch quests don't count. I have a better example, though. DA:O's DLCs are exceedingly short, all of them are around 2 hours max. Awakening was a proper expansion, however, so I don't blame them for the others.
LESS T_T
Arcane
- Joined
- Oct 5, 2012
- Messages
- 13,582
New achievements, hidden ones and not yet named:
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I've Made A Huge Miss Steak
fantadomat
Arcane
Judging by the achievements names and the shitty promotion,they are trying to promote the game to the 12 year old crowd.By the way DA:O 's DLC are far more fun than this shit.I would take shale every day over this creatively bankrupted lake of sjw''s tears and safe spaces.This shit is why i will be pirating the next PoE,i can't trust Obsidion not to make sjw game.
fantadomat
Arcane
The best place a man can be
BilboBaggins
Educated
- Joined
- May 11, 2014
- Messages
- 91
Love the dude-bro one.
Luckmann
Arcane
Have they actually gone back and revised or expanded upon existing content, or is it just going to be a railroaded fucking slog again? Because if not, I don't think I can be arsed to go through the hassle just to see the new content.
- Joined
- Jul 14, 2008
- Messages
- 2,159
There's a content patch coming out alongside the Bastard's Wound expansion that's going to add in a new route and expand on the third act.
Though unless that patch is like 8GB large I can't see it adding and changing everything needed to really make the game great.
Though unless that patch is like 8GB large I can't see it adding and changing everything needed to really make the game great.
I really doubt the patch is going add a "new route" though I guess it is up to how you interpret that. Gonna guess it adds a few choices near the end to steer the ending into a new direction but not really like a new path through the game or whatever.
There is a new path: loyal to Kyros.
Luckmann
Arcane
Yeah, it's not so much about adding new content such as adding to an act, but about making existing content not shit. Tons of minor options and dialogues need to be revised, and I'm not seeing that happening.
They should add loyal path and make it the cannon one too; So me new Archont of Towers is going to take on entire Kyros Continent spamming empire? Having one bloodied army at your command or bunch of ragtag rebels? With half of province ruined and/or in rebellion against me? I would be like playing as Welsh Prince against King of England in CK2. If they added path for such Archont to slowly accumulate power and forge court alliances to one day maybe in hundred years challenge the Overlord sure.... but this game was obviously made for millennials so wont get much hope for this. I still dig the art style of game much more than this shity 3D from AoD.
- Joined
- Jan 28, 2011
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- 99,651
That's today.
fantadomat
Arcane
The amazing skills of the paradox marketing team!
Jarmaro
Liturgist
Something went really wrong if only place I heard of this DLC is Codex.
fantadomat
Arcane
Same could be said about the game.
- Joined
- Jul 14, 2008
- Messages
- 2,159
This seems like it's gonna be dead on arrival. Less than a week until it's released and they've barely done anything to let people know it exists, let alone sell it. Plus, the few other places I do see it talked about people expect or want it to continue the main story, so unless that content update really fixes the ending it looks like people are going to be largely disappointed in this.
fantadomat
Arcane
On steam chart there will be fascinating race between Tyranny - Bastard's Wound and Lawbreakers.Who is going to die first?
LESS T_T
Arcane
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- Oct 5, 2012
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- 13,582
Tyranny expansion interview as a part of ongoing Obsidian Press Parade: https://www.rockpapershotgun.com/2017/09/01/tyranny-bastards-wound-interview/
Obsidian on Tyranny’s expansion & writing believable evil
Most games that put you into the shoes of the bad guys are about reveling in evil, gleefully causing havoc and destruction like a toddler who’s got into the stationary box. Obsidian’s RPG Tyranny [official site] is different.
“I find a lot of fiction that centers around good versus evil tends to be unsatisfying, as evil always exists as a strawman for the ill-prepared underdogs to beat up with the power of naïve violence and good intentions,” says Matt MacLean, narrative designer for Tyranny. “I think video games often try too hard to make sure you don’t relate to your victims, and so villains are made unrelentingly villainous, and allies are made into some combination of saccharine hangers-on or tear-jerker red-shirts waiting to be killed in order to shock you into thinking death means serious storytelling.”
But how did it all work out, and what new cruelties will the upcoming expansion expose us to?
In many ways Tyranny begins after the chaos and fire that most evil-centric games depict has died down, and you’re left to explore the bent and broken husk of the world lingering in its wake. Tyranny’s world is one where everyone has been touched or corrupted by evil, a fantasy dystopia where you play not as one of the downtrodden, but as one of the Overlord’s minions wearing boots of +1 oppression.
The goal of the game, as MacLean describes it, was “to make sure whatever giant society of evil we created made some sense.” Obsidian wanted to show evil not just in its most gurning and maniacal form, but as a factor of everyday life. Indeed, perhaps the most unique aspect of Tyranny’s depiction of evil is how ordinary it often seems.
“Our Overlord needed to have some sort of empire that wasn’t comically sadistic to the point of imploding, so Kyros needed to be equal parts ruthless warlord and stable civilization builder,” MacLean says. “Our regular folk needed to be universally afraid of Kyros and that meant they should be chronically ignorant, as understanding tends to counter fear. Most importantly, the agents of evil that the players meets in the game needed to be a proper mix of revolting and relatable.”
As narrative designer, it was MacLean’s job to build the game’s story, and to flesh out the world and the characters within it. With such a specific focus, you may think it would be difficult to make the realm of the Tiers and its inhabitants seem varied, but MacLean expalins that writing the characters was one of the easier parts of the job. “Like our own world, everyone in Tyranny needed to be the heroes of their own story, because every ‘evil’ person is a good person going about their righteous day doing their righteous thing, happily preying on something to live,” he says. “Evil isn’t a thing most of us set out to do, it’s more the unintended consequences of learned mistakes.”
Of course, Tyranny’s world includes the more extreme personalities who would prosper in such a society. “It’s easy to write empathetic sociopaths, as the really good sociopaths are charismatic, engaging folk,” MacLean says. Where the project became tougher was in writing the ‘good’ people who had managed to survive the war, and how the necessities of that survival had altered them. “The game takes place three years into a war, so you don’t meet the weak, the eager, the depressive, or the overly-courageous – they’re all dead. What’s left is a people who, by necessity, had to grow a sense of humor, humility, and streetwise to live to the present day.”
The biggest challenge stemmed not from creating the characters who populated the world, but from combining the typical mechanics of an RPG, particularly the branching narrative, with the world that Obsidian wanted to build. “It’s hard to make a world that is convincingly ‘locked down’ by the rule of some allegedly awesome super-evil, that provides you with lots of choice and yet never has you instantly executed for treason/heresy/breaking some sort of law,” MacLean says.
Obsidian solved this by establishing the player at the higher-end of of the game’s social hierarchy, although still a few rungs from the very top. This is an unusual choice for an RPG, which tend to throw the player at the bottom of the lowest pit in order to give them something to climb out of, but as MacLean points out: “This let us have a world of corrupt laws, albeit one that the player is immune to and can perhaps leverage for fun, profit, or maybe nobility.”
Another problem that Obsidian needed to solve was – in a society where evil has already won, how do you then give the player something to do? The solution here was to turn the knives inwards, to have the fighting shift into infighting as thoughts began to turn away from final victory, and more toward who would reap the most spoils. But this led to another issue; the need to contextualise the maelstrom of inter-factional politics that the player was about to be thrown into.
The result of this was the Conquest mode, a text adventure that takes place before the game begins proper, which provides an overview of how the war played out, and let’s the player make a few choices that influence how various factions perceive them as the game begins. Interestingly, Conquest mode was one area of Tyranny that proved difficult to build, and one that MacLean worried, “for the length of development”, would go down badly with players.
“An earlier version of the conquest paired attribute and skill gains to the conquest, and a part of me really enjoyed how the past-defines-your-training vibe meshed with the game’s learn-by-doing system. But it was a level of complexity too far. Players would find themselves not wanting to select things because the story was good but the systemic gains weren’t,” he says.
Although MacLean feels Conquest mode was ultimately successful. One issue that the team didn’t fully solve was blending the focus on evil with the epic fantasy story that is generally expected of an isometric RPG. MacLean states the team “wanted the players’ choices to matter”. But this meant creating a huge amount of content that could only be explored fully with multiple play-throughs, and MacLean admits that “not many gamers have the time for that much gaming.”
“While I love making choice-driven games with branching dialogue, ‘Next time, a linear game’ was a frequent mantra uttered when we found ourselves having to make short conversations many thousands of words long just to accommodate prior choice and conditions,” he adds.
Nevertheless, Obsidian has decided to further explore the world of Tyranny with an expansion – colourfully named Bastard’s Wound. For the DLC, Obsidian wanted to create something that would be of interest to Tyranny players both old and new. “The parameters for the DLC’s design were something that players not yet finished with the game could play, so that gave us the opportunity to add something we just never got around to making – an area accessible in Act 2 that you travel to on your own schedule and not based on exactly where the main story is pointing you next,” MacLean says.
The developers are tight-lipped on details of Bastard’s Wound story, although MacLean does say that the expansion is “less about the immediate conflict of the Disfavored versus the Scarlet Chorus and more about the ripples and consequences of the larger war.” But the expansion will add character-specific quests for three members of the player’s party, namely Barik, Lantry and Verse.
This is an aspect that the vanilla game was lacking, that more personal connection between your character and your party. However, these quests will be unrelated to the game’s core reputation system: “if we had placed something like loyalty or fear requirement for one of these quests, and you fire up a save game where you’ve already opted for the other thing and there’s no more conversation/game left to steer your way into the quests, you’d be rightly annoyed.”
Bastard’s Wound will also address some of the more general complaints about the vanilla game, one of which was an overemphasis on combat. “While adding a strictly pacifistic route through things wasn’t quite in keeping with the general vibe of Tyranny, Bastard’s Wound features quests with more optional violence,” In addition, Obsidian wanted to ensure that, when violence does happen in Bastard’s Wound, it’s better contextualised than it sometimes was in Tyranny. “We also wanted to have less situations where someone already hated you from prior events, bridges seemed pre-burned, and combat was inevitable,” he says.
It’s also worth noting that, alongside Bastard’s Wound, Obsidian will be making some tweaks to the vanilla game that will be available to everyone. “We’re doing a free update to the base game that adds and modifies a few things here and there,” MacLean says. This includes new voice-overs to parts of the game that were previously text-only, and the fixing of certain story “bugs” by adding new dialogues and conversations. “In short, we’ve been working on a lot of cool improvements that all players will be getting, not just those who get the DLC.”
Tyranny: Bastard’s Wound launches on September 7th.
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- 2,159
Seems to be mostly self-congratulatory back patting for how good the writing in the game is and how maybe the game just offered too many choices for some players, with next no new details about the expansion.
They also seem to be trying to downplay the content update, so I wouldn't get my hopes up for that doing much for the game.
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