Academics began analyzing the film almost as soon as it was released. One of the first books on the film was Paul M. Sammon's
Future Noir: The Making of Blade Runner (1996),
[111] which dissects all the details concerning the film making. He was followed by
Scott Bukatman's
Blade Runner[112] and other books and academic articles.
[113] In
Postmodern Metanarratives: Blade Runner and Literature in the Age of Image, Décio Torres Cruz analyzes the philosophical and psychological issues and the literary influences in
Blade Runner. He examines the film's cyberpunk and dystopic elements by establishing a link between the Biblical, classical and modern traditions and the postmodern aspects in the film's collage of several literary texts.
[114]