MRY
Wormwood Studios
Not a painting, an etching, part of a series called "Los caprichos" (the caprices).
I talk about Goya a bit in this dev diary:
I talk about Goya a bit in this dev diary:
“The world is a masquerade. Faces, costumes, voices—all pretend. We all wish to appear as we are not, we deceive ourselves, and in the end, we do not even recognize ourselves.” - Francisco José de Goya y Lucientes, Los Caprichos (6)
The next treasure from my trove came from Francisco Goya, whose art I studied while living in Madrid 20 years ago. In college, I wrote (though never released) a mid-length work of interactive fiction in which the player visited a gallery of a pseudo-Goya’s works and discovered he could (and indeed must) enter those works and engage in various adventures within them. The force Goya exerted on me has, if anything, grown over the intervening time. It is not just specific paintings (such as the famous image of Saturn devouring his child), but the overall mood and mentality of his work as a whole. The distillation is, for me, Los Caprichos—a series of captioned etchings that convey the way in which supernatural horror springs from the everyday misery that is all around us. The characters of Strangeland are a blend of Gormenghast’s eccentric weirdos and Los Caprichos’s grotesque “ordinary folk.”