Ordinarily, I try my best (often failing) to have goodwill for all and see indie projects as noble endeavors. But even though I don't particularly care for the KQ series -- unlike
felipepepe, I think that particular scene is the height of maudlin sentimentality and is itself indicative of a departure from the KQ roots in zany mixed-up fairytales -- this whole thing exasperates me mightily.
In Decline and Fall of the Roman Empire, Gibbon in an almost throwaway line captures an example of one of the bleakest refrains in human history: marble from Rome's monumental buildings was, in later years, "burnt to lime for the purpose of cement." Much of that marble likely came from Carrara, which required "only" 250 miles of transportation to the city. Some had come all the way from North Africa. All of it had been dug from the ground at great effort, carved with great skill, mounted with great care; an enormous, ostentatious, perhaps indefensible use of human capital that yielded marvels.
In the squalor of fallen Rome, people needed homes; cement is a material for building them; quicklime is an ingredient for making it. Quicklime can also be made from limestone; travertine, a type of limestone, is easily found all over Italy, including in Tivoli, less than 20 miles from Rome. But quarrying and transporting stone is hard work and stripping it from buildings is relatively easy. So away went the monuments, and up in smoke went the vast investment of human capital spent to create them. "Burnt to lime."
If you want to make the next Gawker, don't buy The New Republic and drive out the whole editorial staff. If you want to make a console platformer, don't use KQ. For me, the series is far from a monument to human ingenuity, but it's something that matters to a great many people, and what they're making from it is worse than a hovel
and no one needs it to begin with. Alas.