It depends on what you mean by undermining. The undermining is a byproduct not the aim of tricksters. They don't follow rules (so authority), hence new things happen. Sometimes even new rules.
Take the Coyote in Nat. americans, or Loki.
When first young Maro in his boundless mind
A work t' outlast immortal Rome design'd,
Perhaps he seem'd above the critic's law,
And but from Nature's fountains scorn'd to draw:
But when t' examine ev'ry part he came,
Nature and Homer were, he found, the same.
Convinc'd, amaz'd, he checks the bold design,
And rules as strict his labour'd work confine,
As if the Stagirite o'erlook'd each line.
Learn hence for ancient rules a just esteem;
To copy nature is to copy them.
Some beauties yet, no precepts can declare,
For there's a happiness as well as care.
Music resembles poetry, in each
Are nameless graces which no methods teach,
And which a master-hand alone can reach.
If, where the rules not far enough extend,
(Since rules were made but to promote their end)
Some lucky LICENCE answers to the full
Th' intent propos'd, that licence is a rule.
Thus Pegasus, a nearer way to take,
May boldly deviate from the common track.
Great wits sometimes may gloriously offend,
And rise to faults true critics dare not mend;
From vulgar bounds with brave disorder part,
And snatch a grace beyond the reach of art,
Which, without passing through the judgment, gains
The heart, and all its end at once attains.
In prospects, thus, some objects please our eyes,
Which out of nature's common order rise,
The shapeless rock, or hanging precipice.
But tho' the ancients thus their rules invade,
(As kings dispense with laws themselves have made)
Moderns, beware! or if you must offend
Against the precept, ne'er transgress its end;
Let it be seldom, and compell'd by need,
And have, at least, their precedent to plead.
