Silva
Arcane
What's up with the fingers?
Frankly, they feel nonsensical.
Frankly, they feel nonsensical.
I think that's kind of the point. Elden Ring leans fairly hard into the lovecraftian 'the gods are aliens' trope. I think it's one of the better aspects of the setting, honestly.What's up with the fingers?
Frankly, they feel nonsensical.
It's either a sexual metaphor because GRRM or it's nonsense by design because Miyazaki.What's up with the fingers?
Frankly, they feel nonsensical.
DS1 feels like the last time From tried to give a shit about the narrative of their games and have it be at least minimally coherent.That is not really a exception for Souls games at this point. Its more like a rule that the games are story wise a mess. Ever since Dark Souls 1 the ambiguity of From's storytelling was used more as a crutch rather than a actual feature.
One of the crones gave a finger reading that leaned heavily into "the fingers are controlling the player character", as in, a metaphor for your fingers on the controller.What's up with the fingers?
Frankly, they feel nonsensical.
Dude the insect people are putting in all of the crunch before anyone even gets a whiff of the announcement.Announce the dlc at once damnit.
I think that's kind of the point. Elden Ring leans fairly hard into the lovecraftian 'the gods are aliens' trope. I think it's one of the better aspects of the setting, honestly.What's up with the fingers?
Frankly, they feel nonsensical.
I think that's kind of the point. Elden Ring leans fairly hard into the lovecraftian 'the gods are aliens' trope. I think it's one of the better aspects of the setting, honestly.What's up with the fingers?
Frankly, they feel nonsensical.
Barbarian said:Made for an interesting aesthetic mixed with the arthurian and holy order themes.
That was my impression as well. Creepy otherworldly entities beyond our ability to comprehend. Its "believers" driven into insanity and self-flagellation(
Earthdawn has a similar premise (it's even post-apocalyptic) but manages to coalesce those elements better IMO. Don't know precisely why though, it's just a feeling. Maybe cause it ties it's Lovecraftian entities (the "Horrors") to classic fantasy cliches like, the Horrors coming from far reaches of the astral dimension, and only accessing our reality in certain ages where the levels of mana are high enough, etc. In other words, it's primarily a fantasy setting with it's single alien element thrown as the main, unnegotiable threat and to explain it's post-apocalyptic state (current era is seeing civlization come out of the "Kears", the vaults that protected them from the Horrors' scourge in the previous era). Oh and the setting location is real world Ukraine, which also makes for some exoticness.GRRM's medieval Europe stuff clashes with Miyazaki's Bloodbornian take on Lovecraft. It's a weird mix, and I don't hate it, but it doesn't really work either.
Should have just focused on the immortal royal family and their interpersonal drama.
Lovecraftianism in fiction's tiresome to me.I think that's kind of the point. Elden Ring leans fairly hard into the lovecraftian 'the gods are aliens' trope. I think it's one of the better aspects of the setting, honestly.What's up with the fingers?
Frankly, they feel nonsensical.Barbarian said:Made for an interesting aesthetic mixed with the arthurian and holy order themes.
I couldn't disagree more. Lovecraftian elements feel completely disjointed here, meshing very little with the "Arthurian"/ European mythic elements IMO. The end result not making for a compelling classic fantasy setting, nor a compelling "exotic" fantasy setting, occupying instead this awkward space where it's just feels weird, and not in a good way.
Or so I think after seein the game up to Leindel. Maybe it surprises me from then on?
How does getting orders from two giant spasming fingers improve the game?
Those are her feet.an eyeless crone with four arms.
Let us speak of the past, a while.
I was once an Empyrean.
Of the demigods, only I, Miquella, and Malenia could claim that title.
Each of us was chosen by our own Two Fingers, as a candidate to succeed Queen Marika, to become the new god of the coming age. Which is when I received Blaidd. In the form of a vassal tailored for an Empyrean.
But I would not acquiesce to the Two Fingers.
I stole the Rune of Death, slew mine own Empyrean flesh, casting it away.
I would not be controlled by that thing.
The Two Fingers and I have been cursing each other ever since... And the Baleful Shadows... are their assassins.
I think it had more to do with Ranni not wanting to be the slave of someone else and choose her own fate, which is why she became the servant of an eldritch space entity in order to avoid being the servant of an eldritch space entity.The "two fingers" are implied to be several entities and apparently so terrible that Ranni chose to kill herself and have her soul incarnated into a doll, just to escape the power of one such entity.
I think it had more to do with Ranni not wanting to be the slave of someone else and choose her own fate, which is why she became the servant of an eldritch space entity in order to avoid being the servant of an eldritch space entity.The "two fingers" are implied to be several entities and apparently so terrible that Ranni chose to kill herself and have her soul incarnated into a doll, just to escape the power of one such entity.
I can't figure out what is the point of Those-Who-Live-In-Death. Is it just a needlessly long and elaborate term/origin story for this world's undead? Or is it a particular form of undead that's different from other types (which ones)? Does Fia's ending legalize necrophilia? Why does Rogier decide to go along with this... whatever it is?
Isn't that a different beastman? I don't think he disappears when you kill Maliketh and vice versa. Not that that means a lot in Elden ring..This is why Maliketh is searching and eating deathroot, because he thinks he will make the rune he has hidden whole again in this way and stop the spread.