The game never provides a tutorial on how to do that, unless you've played the miller storyline. It can remind you every single time that you don't need to press buttons on the maximum horse speed, but the choking tutorial was too much.
Play an actual rpg.
Why are modern devs so fucking retarded that they literally MAKE you sympathize with the supposed "bad guys"?
There is a DLC coming out that's related to the monastery so perhaps they're blocking access until that? Annoying to have it sitting there inaccessible thoughAre you shitting me, the ENTIRE area of the Sedletz monastery aside from graveyard is empty and inaccessible?!
for a second there I thought this was minecraftAre you shitting me, the ENTIRE area of the Sedletz monastery aside from graveyard is empty and inaccessible?!
The Cumans were already assimilated by the Hungarians in the XV century. The Cuman band raiding and pillaging in Bohemia is ahistoric, showing kind Cumans in the sequel after them being the villains of the first game certainly feels like wokeness/political correctness. Asians don't care about being portrayed as an evil horde.
So what's with Katherine?Finished the game. Here are my thoughts.
1) I was the first one on Codex to (correctly) predict that when Vavra talks about diversity, it means niggers. I was also the first one to bring news of Musa here. I've talked about Musa enough for everyone to know my opinion on this character and his inclusion. However, now that I've finished the game, I can say with 100% certainty that this character was completely unnecessary outside of scoring points with the journos and Blackrock. He was forced down your throat, but he was a bit character with minimal relevance to the story, and the game would be better off without him.
2) Musa's more plot-relevant comrade at arms is Sam, your jewish half-brother.
I didn't like this character. He was a punk with a chip on his shoulder - but just like with Musa, Henry loved this guy, for some reason. I've left him to die and skipped all the dialogue about Henry grieving about his death. I've felt nothing for him, except maybe annoyance.
3) Katherine, despite being on the cover, is barely even in the fucking game. I liked her (despite romancing Rosa instead of her), she was inoffensive, and I'd really prefer her to have the Kuttenberg story for herself, that Sam takes over instead. I'd gladly take a mary sue Black Widow doing flips with a crossbow over Sam. I'd say that both Rosa and Katherine are inferior to Theresa, but Theresa has the benefit of A Woman's Lot. Actually, Hans might be the best romance, because from the beginning to the end there's a lot of him, and he has a direct connection to the main story.
4) Another subject I was pretty vocal about is Istvan Toth. Now that we can look at KCD with the benefit of hindsight, this villain had no business surviving the first game. In KCD2, he felt tacked on. Like he's a part of the plot because he's on the bucket list and needs to be crossed out. With lord Otto, the frenchman, Markvart, Sigismund, Erik, the Chamberlain, the villains of the main plot are CROWDED. Istvan did not need to be a part of this crowd. The first game would be far better off with him dying at the end in a climactic ending, and the second would be far better off with the Chamberlain taking over the role of the Arc 1 final boss.
5) When the devs said "Newbies will be able to pick up the game without playing the first one, and they'll miss nothing, it'll do a fine job of recapping and explaining everything", they were remorseless fucking liars. I've played a little minigame - every time a name or an event from the first game comes up, I pretend to be a newbie without any context to anything, and try not to get confused.
6) The frenchman's heel turn comes out of nowhere, and makes me feel nothing. I guess I've killed him, but I didn't have any real animosity towards him like I've felt for Toth or Chamberlain.
7) The gay thing never bothered me, and it still doesn't.
8) The game is certainly a lot woker than KCD1, but whatever, we take what we can get in these dark times. At least it's not Avowed.
9) Fuck niggers.
This is probably the best description of it. Everything about the plot and direction suggests it was made by someone who grew up learning about the period from romantic depictions of it and now had an opportunity to recreate it.
I have no idea. Katherine is barely in the game, and I've never really found out much about her beyond some incredibly broad strokes of her life story.
go pick up a barbell and get laid loser
One thing I like about the game is you can avoid fights through force. There are a lot of perks that make you scarier and make enemies less likely to fight you. Most games that allow a pacifist run have you set up your character as a weakling who talks well, which is absurd (ask any schoolboy if his bullies are interested in "speech checks"). In this games the more Henry is a badass the more often enemies will surrender or run away. I had one bandit camp where I was sneaking up to try to shoot one with a crossbow as a surprise attack, but I missed and hit the tree next to the bandit I was aiming at. He goes, "OH fuck this!" and runs off anyway. Beautiful.
Another mystery. Its very suspicious how little information you can find about her online. And that is considering that there were plenty step by step guides on how to "romance Hans" all over the internet even before the game released.
