KeAShizuku
Educated
- Joined
- Dec 11, 2023
- Messages
- 114
They hated the Imoen romance mod. If only they had known about the degeneracy of Baldurs Gate 3 awaiting them in the future...
The whole act 3 is about helping rapefugies to infiltrate the city. Right, no agenda here folks.Only real woke thing in Act 3
You get XP with no effort because the system, once again, is not intended to work like this. It's designed for a dungeon crawl with limited rest. An open-ended approach doesn't fit unless you simply award levels for reaching certain points in the story, but I guess you would be miserable with that option. Then you complain about the game not including higher levels. The system breaks at these levels—a party of adventurers becomes more like an Avengers unit at that point, so you would end up even more miserable than you are right now, if such a thing were possible, of course. So no matter what, you will end up in a spiral of depression and despair.You should drop those computer RPG things; they just hurt you.Games shouldn't be balanced around completionists, at any rate.
Do most players leave the map unexplored and ignore quests received?
Don't think so. Even if you skip a lot you will probably get enough XP to reach level 15 throughout the game.
It is bad balance. Cant remember any game where you reach level cap so soon and without effort. Even cuckfinder games were well balanced in that regard(and you had an exploit to level up faster with a smaller party, something that bg3 does not have)
I never understand why they have to bring back the hag from act 1. It's hinted there are other hags and at least one of them is at Baldur's Gate, they could just use another hag, it's not like the quest relies on her being the same hag from act 1.The whole act 3 is about helping rapefugies to infiltrate the city. Right, no agenda here folks.Only real woke thing in Act 3
The whole Bhall stuff is lame with the main villain being the girl with issues. They even had to resurrect Sarevok unable to handle the character in any meaningful way.
They even had to resurrect witch Aunty, cause apparently soy sippers were too exhausted working with convoluted main plot.
Also anybody who thinks the song playing during the fight with Raphael is good deserves full lobotomy.
WRONG! act 3 is all about flying up onto rooftops casting cloud kill and fireballs on civilians and flaming fist guardsAct 3 is all about MUH REFUGEES WHO DINDU NUFFIN not being allowed into the city.
I think the hags were supposed to play a bigger role in the game, but knowing larian they probably dropped it in favor of re-writing the entire story because some early access twink complained the companions were too meanI never understand why they have to bring back the hag from act 1. It's hinted there are other hags and at least one of them is at Baldur's Gate, they could just use another hag, it's not like the quest relies on her being the same hag from act 1.
And somehow there isn't a single Gnome in the game. There likely isn't even a single Dwarf either. There are only halflings and deep halflings.MOST DIVERSE CITY IN THE REALMSThe carnival is very good with a lot happening if you explored, house of hope, all the small side quests, exploring the city itself,...FAKE NEWS!is every side quest so darn good (I only played Act I) that you feel like you're missing out or can you just not stop touching the poop
Act 3: nothing is good.
So many cool thing that happen in Act 3.
The bhaalist and guild quests are okay. Also some set fights(e.g: Ramazith's Tower and Iron Throne). Otherwise it is all pretty meh.
Seems like they left most of the woke for act 3 as well.
Only real woke thing in Act 3 is the transvestite at the circus and some gay couples, comments from random city dwellers. The only thing that bothered me are indeed the fact there are multiple gay couples in the game, should've toned that down. Still, can get rid of them easily anyway lol.
I think Act 3 was better than Act 2 and that was good too.
Act 3 is all about MUH REFUGEES WHO DINDU NUFFIN not being allowed into the city.
(Which Im fairly sure is wrong because in Kara-Tur they have Spelljammer ports.)
It's like a Disney song, so if you like Disney movies, I'm sure you'll like it.Also anybody who thinks the song playing during the fight with Raphael is good deserves full lobotomy.
The whole game is about them. It makes me almost grateful for the companion quests, since it gives you something to focus on beside the endlessly repeated refugee question.Act 3 is all about MUH REFUGEES WHO DINDU NUFFIN not being allowed into the city.
Fight itself took some effort so it wasn't all bad.But it's hardly the worst thing about BG3 or Act 3.
Eh, I don't know.Games shouldn't be balanced around completionists, at any rate.
Do most players leave the map unexplored and ignore quests received?
Don't think so. Even if you skip a lot you will probably get enough XP to reach level 15 throughout the game.
It is bad balance. Cant remember any game where you reach level cap so soon and without effort. Even cuckfinder games were well balanced in that regard(and you had an exploit to level up faster with a smaller party, something that bg3 does not have)
Yeah, and in Kingmaker if you (ab)use the Persuasion checks, you'll also reach level 20 in Act V.With all the DLC installed, you hit level 20 in WotR early in chapter 5, almost at the start. Mythic ranks are a different story, though.Even cuckfinder games were well balanced in that regard
Games shouldn't be balanced around completionists, at any rate.
act 3 is just a total let down. It takes way too long to get there and when you finally do its like "this is it?" cazador szarr and his goofy mansion feels like cut content central. what a let down that guy was, after Astarion built him up over 2 actsBut unfortunately after that it's the opposite, early in act 3 you hit the level cap and it seems pointless to do anything except the main quest pretty much.
In the new patch they will adress the evil approach and make it much better, especially the end.Act 3 is also where C&C makes a big flop revealing Larian’s true approach — it only works while you behave like a good goy, once you start doing mean things game fails to react and charade falls apart.
I have to agree with this. My biggest gripe with the game is not even the extremely easy combat encounters (played on launch on Tactician) or lack of mechanical reactivity (alternative quest and encounter outcomes based on your character building choices, not cosmetic dialogue blurbs), but the fact that the game lacked a cohesive, focused narrative. It's like the game just throws random shit at you and expects it to stick on your face.On top of that the story stops making sense and the tone is all over the place.
I guess we get a new cutscene, but I kind of doubt they called in actors for new mocap and voiceovers.In the new patch they will adress the evil approach and make it much better, especially the end.
Ok shillIn the new patch they will adress the evil approach and make it much better, especially the end.Act 3 is also where C&C makes a big flop revealing Larian’s true approach — it only works while you behave like a good goy, once you start doing mean things game fails to react and charade falls apart.