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Cain on Games - Tim Cain's new YouTube channel

POOPERSCOOPER

Prophet
Joined
Mar 6, 2003
Messages
2,843
Location
California
Games shouldn't be designed for faggots who save scum. Even if most people do it the game should have an intention of how they think the game should be and not serve diapers to babies.
 

kyosuke

Scholar
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May 13, 2018
Messages
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Singapore
I helped put crap in Monomyth
Uncertainty. The possibility that you might have to try something different when plan A falls through.
As Cain (and Sawyer) noted, most people just reload until they succeed.

I mean, can you argue with him? Like what exactly does randomized skill checks add compared to fix skill checks?

The ability to succeed on every check with a generalist character by reloading every time you fail. :P
If they're so hung up about succeeding in every check, might as well just cheat and max out those skills.
Save the time and clicks.
 

PapaPetro

Guest
Uncertainty. The possibility that you might have to try something different when plan A falls through.
As Cain (and Sawyer) noted, most people just reload until they succeed.

I mean, can you argue with him? Like what exactly does randomized skill checks add compared to fix skill checks?

The ability to succeed on every check with a generalist character by reloading every time you fail. :P
If they're so hung up about succeeding in every check, might as well just cheat and max out those skills.
Save the time and clicks.
Maybe by make failing suck less as an experience for the player?
He always brings up how how fun it is playing a low intelligence character is in Fallout and Arcanum, so apply the same design principle to "Save or Suck" skill rolls.
 

Harthwain

Magister
Joined
Dec 13, 2019
Messages
5,419
Uncertainty. The possibility that you might have to try something different when plan A falls through.
As Cain (and Sawyer) noted, most people just reload until they succeed.

I mean, can you argue with him? Like what exactly does randomized skill checks add compared to fix skill checks?

The ability to succeed on every check with a generalist character by reloading every time you fail. :P
If they're so hung up about succeeding in every check, might as well just cheat and max out those skills.
Save the time and clicks.
Maybe by make failing suck less as an experience for the player?
He always brings up how how fun it is playing a low intelligence character is in Fallout and Arcanum, so apply the same design principle to "Save or Suck" skill rolls.
Disco Elysium already did this and it worked.
 

PapaPetro

Guest
Disco Elysium already did this and it worked.
It's a lot of work for designers though since they have to create a bunch of possible outcome branches that don't just lazily/mindlessly lead to fail-states (as is tradition).
Worth the
incline.png


You can make really bad luck fun as Chris pointed out in one of his many videos.
I recall that bad rolls in Disco were more often as worthwhile as the good ones (You even get kinda punished for "succeeding" the mirror roll at the start of the game that turns off your smile/"charm" and makes you appear sullen the rest of it).
You could even create an inverse normal distribution where having both really good and/or bad luck is desirable, with average luck being just meh (thus eliminating the "bad luck" feeling as a negative gaming experience).
 
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Roguey

Codex Staff
Staff Member
Sawyerite
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Messages
36,716
On why Tim didn't burn out early


Like Sawyer, he doesn't know how to do anything else and he's passionate about games. He also mentioned that he checked out of participating in forums because he got tired of all the negativity.
 

Infinitron

I post news
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Codex Year of the Donut Serpent in the Staglands Dead State Divinity: Original Sin Project: Eternity Torment: Tides of Numenera Wasteland 2 Shadorwun: Hong Kong Divinity: Original Sin 2 A Beautifully Desolate Campaign Pillars of Eternity 2: Deadfire Pathfinder: Kingmaker Pathfinder: Wrath I'm very into cock and ball torture I helped put crap in Monomyth


I talk about how my development experience changed over time, depending on how people viewed my past work.

p.s. I had some audio synch issues on this video...but a solution is on the way and coming soon!
 

Roguey

Codex Staff
Staff Member
Sawyerite
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The four groups of coworkers Tim's run across this past decade:

a) People who don't know who he is, which would be fine except a lot of these people have also never heard of or played any of the games he's worked on or are even familiar with their elements despite working on RPGs now

b) Sycophants who agree with every word he says which frustrates him because he wants feedback (this is why he likes Leonard who will passionately argue with him)

c) People who know who he is and are deliberately disrespectful and dismissive of the things he has to say :lol:

d) People who know who he is and want to build off what he's done, his favorite group obviously
 

Quillon

Arcane
Joined
Dec 15, 2016
Messages
5,296
That was much better than I expected, they talked in english 99% of the time; mostly about tabletop stuff, fallout 1-2, arcanum & bloodlines.

He said Wildstar broke him for being a lead that it took half a decade for him to recover and be a lead again and Private Division let them do whatever they wanted but their only condition was making TOW casual friendly.
 

Roguey

Codex Staff
Staff Member
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Messages
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Player engagement


"I'm not that good at balance, I often relied on other people to help me balance my games." :balance:

Tim also praises Nintendo. Additionally, it's ironic that the one game of his that intentionally focused on player engagement is the one that engaged the Codex the least.
 

Butter

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"Player engagement is a modern concept. We never thought about it when we were making Fallout or any of the Troika games. We just thought about What would be fun? or What would we want to play? and then we did that."

Is it any wonder that those old games were better? What is this circuitous bullshit where designers think they have to trick players with "engagement" instead of just making a quality game that people naturally want to continue playing?
 

Bad Sector

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Joined
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Messages
2,334
Insert Title Here RPG Wokedex Codex Year of the Donut Codex+ Now Streaming! Steve gets a Kidney but I don't even get a tag.
"Player engagement is a modern concept. We never thought about it when we were making Fallout or any of the Troika games. We just thought about What would be fun? or What would we want to play? and then we did that."

Is it any wonder that those old games were better? What is this circuitous bullshit where designers think they have to trick players with "engagement" instead of just making a quality game that people naturally want to continue playing?

My understanding of that part was that the term "player engangement" is new, not the approaches they were taking. In other words it is something that to help designers figure out what makes games fun - both before and after the designers were trying to make fun games, but previously they had no "language" to talk with each other about what makes games fun and exchange ideas.

As an example color theory is a relatively (in the context of human history) modern concept that helps artists to understand better how humans perceive color combinations, but that doesn't mean no artists had some understanding of the ideas behind it, it only meant that each one had their own understanding - often out of intuitition and trial and error that everyone had to repeat or somehow find another to learn - and was harder for them to exchange that knowledge.

Keep in mind that this isn't anything new, you'll find game designers come up with terms to describe things going back decades, at the end of the day people want to exchange information with others and this can be done only with a common language.
 
Joined
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"Player engagement" seems like a broader concept than "fun". You might keep playing a game because it's fun, but you can also keep playing for other, less wholesome reasons - FOMO, habit, social interaction, etc.

The shift to engagement as the integrating concept encourages game designs that don't rely exclusively on fun to keep players playing.
 

Roguey

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My understanding of that part was that the term "player engangement" is new, not the approaches they were taking. In other words it is something that to help designers figure out what makes games fun - both before and after the designers were trying to make fun games, but previously they had no "language" to talk with each other about what makes games fun and exchange ideas.

As an example color theory is a relatively (in the context of human history) modern concept that helps artists to understand better how humans perceive color combinations, but that doesn't mean no artists had some understanding of the ideas behind it, it only meant that each one had their own understanding - often out of intuitition and trial and error that everyone had to repeat or somehow find another to learn - and was harder for them to exchange that knowledge.

Keep in mind that this isn't anything new, you'll find game designers come up with terms to describe things going back decades, at the end of the day people want to exchange information with others and this can be done only with a common language.
I would argue that the more recent fixation with rigidly adhering to the same gameplay loops makes the experience feel artificial.
 

PapaPetro

Guest
"Player engagement" seems like a broader concept than "fun". You might keep playing a game because it's fun, but you can also keep playing for other, less wholesome reasons - FOMO, habit, social interaction, etc.

The shift to engagement as the integrating concept encourages game designs that don't rely exclusively on fun to keep players playing.
aka "work"

I think Tim (or was it Josh Strife Hayes?) alluded to this sunk cost behavior in gamers:
self-justified suffering.
 
Joined
Dec 12, 2013
Messages
4,334
As an example color theory is a relatively (in the context of human history) modern concept that helps artists to understand better how humans perceive color combinations, but that doesn't mean no artists had some understanding of the ideas behind it, it only meant that each one had their own understanding - often out of intuitition and trial and error that everyone had to repeat or somehow find another to learn - and was harder for them to exchange that knowledge.

Isn't color theory the reason why so many movie posters have the same yellow blue color scheme?
 

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